A System of Figure-skating: Being the Theory and Practice of the Art as Developed in England, with a Glance at Its Origin and HistoryMacmillan, 1869 - 266 من الصفحات |
من داخل الكتاب
النتائج 1-5 من 29
الصفحة 41
... balance or have equili- brium , and it is this point which is called the centre of gravity or of inertia . " To say that the centre of gravity will always take the lowest situation which the support of the body will allow is only to ...
... balance or have equili- brium , and it is this point which is called the centre of gravity or of inertia . " To say that the centre of gravity will always take the lowest situation which the support of the body will allow is only to ...
الصفحة 45
... balance the centrifugal force ; and this is , in fact , the theory of the balanced position , viz . an equilibrium between the attraction of gravity and centrifugal force , when those forces are called into play by our motion in a ...
... balance the centrifugal force ; and this is , in fact , the theory of the balanced position , viz . an equilibrium between the attraction of gravity and centrifugal force , when those forces are called into play by our motion in a ...
الصفحة 46
... balance by an amended and appropriate curve , in far less time than it takes us to notice it . This changing of edge is the groundwork of some diffi- cult figures , as will be shown . A skater may thus be thrown , as it were , beyond ...
... balance by an amended and appropriate curve , in far less time than it takes us to notice it . This changing of edge is the groundwork of some diffi- cult figures , as will be shown . A skater may thus be thrown , as it were , beyond ...
الصفحة 47
... balance , preserved as such through all the intricate evolutions it is pos- sible to carry out on skates , can be nothing short of a great practical work , developed and assisted by instructions and directions framed in accordance with ...
... balance , preserved as such through all the intricate evolutions it is pos- sible to carry out on skates , can be nothing short of a great practical work , developed and assisted by instructions and directions framed in accordance with ...
الصفحة 51
... balanced on one foot , and leaning over in the direction under consideration , without a leg ready , as in the inside edge , to support the employed foot in case of a mistake - appears foreign and unusual as contrasted with our ordinary ...
... balanced on one foot , and leaning over in the direction under consideration , without a leg ready , as in the inside edge , to support the employed foot in case of a mistake - appears foreign and unusual as contrasted with our ordinary ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
alteration ankle art of skating back entire balance beautiful beginner body Bois de Boulogne boot centre centrifugal force change of edge circle combined skating commenced cross Crown 8vo curve of inside difficult effected by leaning English Extra fcap F. T. PALGRAVE feet figure skating figure-skating forwards or backwards FRANCIS TURNER PALGRAVE full front heel HENRY KINGSLEY Illustrations impulse inch inclination inside backwards inside edge backwards inside forwards iron ladies learner leave the skater left foot loop motion movements nature Once back original starting POEMS position practice reader Reverse Q D REVIEW right foot right shoulder Rocking Turn round serpentine line sideways attitude skate-iron skates with wheels Skating Club straps STROKE THE UNEMPLOYED Thialfe Three times back three turns tion Twice back unem UNEMPLOYED AFTER STROKE unemployed foot unemployed leg velocity wards whilst writers
مقاطع مشهورة
الصفحة 41 - THE FAIRY BOOK ; the Best Popular Fairy Stories. Selected and rendered anew by the Author of "JOHN HALIFAX, GENTLEMAN.
الصفحة 42 - To the young, for whom it is especially intended, as a most interesting collection of thrilling tales well told; and to their elders, as a useful handbook of reference, and a pleasant one to take up •when their •wish is to while away a weary half-hour. We have seen no prettier gift-book for a long time."— ATHENAEUM.
الصفحة 38 - Morte d'Arthur.— SIR THOMAS MALORY'S BOOK OF KING ARTHUR AND OF HIS NOBLE KNIGHTS OF THE ROUND TABLE. The original Edition of CAXTON, revised for Modern Use. With an Introduction by Sir EDWARD STRACHEY, Bart. pp. xxxvii., 509. "It is with perfect confidence that we recommend this edition of the old romance to every class of readers.
الصفحة 2 - Out of whose womb came the ice? and the hoary frost of heaven, who hath gendered it? The waters are hid as with a stone, and the face of the deep is frozen.
الصفحة 40 - THE GOLDEN TREASURY OF THE BEST SONGS AND LYRICAL POEMS IN THE ENGLISH LANGUAGE. Selected and arranged, with Notes, by FRANCIS TURNER PALGRAVE.
الصفحة 22 - Also sold separately at 6s. each. Volume I. contains Narrative and Elegiac Poems ; Volume II. Dramatic and Lyric Poems. The two -volumes comprehend the First and Second Series of the Poems, and the New Poems. NEW POEMS. Extra fcap. 8vo. 6s. 6d. In this volume will be found " Empedocles on Etna ;"" Thyrsis " (written in commemoration of the late Professor Clough) ; " Epilogue to Lessing's Laocob'n ;" "Heine's Grave;"
الصفحة 40 - Children's Garland from the best Poets. Selected and arranged by COVENTRY PATMORE. " It includes specimens of all the great masters in the art of poetry, selected with the matured judgment of a man concentrated on obtaining insight into the feelings and tastes of childhood, and desirous to awaken its finest impulses, to cultivate its keenest sensibilities.
الصفحة 30 - Olave's," will be found both highly interesting and instructive to the young. The volume contains eight graphic illustrations by Mr. L.
الصفحة 40 - Messrs. Macmillan have, in their Golden Treasury Series, especially provided editions of standard works, volumes of selected poetry, and original compositions, which entitle this series to be called classical. Nothing can be better than the literary execution, nothing more elegant than the material workmanship"—BRITISH QUARTERLY REVIEW.
الصفحة 25 - The aim of this translation of Dante may be summed up in one word — Literality. . . . To follow Dante sentence for sentence, line for line, word for word — neither more nor less — has been my strenuous endeavour.