Orthophony: Or, Vocal Culture in Elocution: A Manual of Elementary Exercises, Adapted to Dr. Rush's "Philosophy of the Human Voice," and Designed as an Introduction to Russell's "American Elocutionist."W.D. Ticknor and Company, 1845 - 336 من الصفحات |
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الصفحة 73
... marked by the prevalence of the expressive tones of pathos , solemnity , and tranquillity , as here exemplified . The following exercises should be practised with the closest attention to the perfect purity of vocal sound , as ...
... marked by the prevalence of the expressive tones of pathos , solemnity , and tranquillity , as here exemplified . The following exercises should be practised with the closest attention to the perfect purity of vocal sound , as ...
الصفحة 75
... marked " piano " in music , and has been exemplified in the preceding exercises , but , likewise , to that degree of force which may be termed moderate , in con- tradistinction to the energetic style of declamation , the bold tones of ...
... marked " piano " in music , and has been exemplified in the preceding exercises , but , likewise , to that degree of force which may be termed moderate , in con- tradistinction to the energetic style of declamation , the bold tones of ...
الصفحة 76
... marked by " effusive " or sub- dued " force , but on the contrary , assumes something of the " expulsive " tone of firmness and authority , although in a gentle and moderate style . The " grave " style differs farther from the " solemn ...
... marked by " effusive " or sub- dued " force , but on the contrary , assumes something of the " expulsive " tone of firmness and authority , although in a gentle and moderate style . The " grave " style differs farther from the " solemn ...
الصفحة 77
... marked character of the merely " serious . " The purity of tone in this style is usually marred by the same cause as in the preceding instance of the " grave " utterance . The beauty and gentle- ness of the tone of serious feeling , are ...
... marked character of the merely " serious . " The purity of tone in this style is usually marred by the same cause as in the preceding instance of the " grave " utterance . The beauty and gentle- ness of the tone of serious feeling , are ...
الصفحة 124
... marked . Hence these properties of voice , which would , in the expression of other emotions , be mere organic faults , now become requisites to effect , and are , therefore , comparative excellences . They require , accordingly ...
... marked . Hence these properties of voice , which would , in the expression of other emotions , be mere organic faults , now become requisites to effect , and are , therefore , comparative excellences . They require , accordingly ...
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abrupt accent appropriate appulsive articulation Aspirated pectoral aspirated quality breath character chest Coriolanus deep degree diatonic diphthong distinct downward earth effect Effusive orotund element elocution emotion enunciation epiglottis error examples exer exercise explosive expression Expulsive orotund fault feeling force forcible function gentle give glottis grave guttural habit hath heart heaven horror human voice imparting Impassioned language larynx light lips Lord Low pitch Median stress melody ment mode of utterance moderate mouth movement muscles musical scale nasal natural o'er Pathos pauses Pectoral Quality perfect pitch practice prolonged prosodial pure tone purity of tone radical stress reader or speaker reading Rush semitone sentence shouting sion slide soft solemn soul speaking speech style subdued Sublimity subtonic swell syllables Teacher in District thee thou tion tongue tonic trachea tranquil unimpassioned vanishing stress vivid vocal organs vocal sound voice wave whispering words