Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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النتائج 1-3 من 7
الصفحة 116
... and " here ... hence remaine . ” STEEVENS ( 1780 ) cites Antony and Cleopatra 1.3.102-4 [ TLN 424–26 ] , which captures the sense of the couplet well : Come : Our separation so abides and flies , That 116 SHAKESPEARE'S SONNETS.
... and " here ... hence remaine . ” STEEVENS ( 1780 ) cites Antony and Cleopatra 1.3.102-4 [ TLN 424–26 ] , which captures the sense of the couplet well : Come : Our separation so abides and flies , That 116 SHAKESPEARE'S SONNETS.
الصفحة 233
... Antony and Cleopatra 3.13.158-62 [ TLN 2341–45 ] : “ Ah ( Deare ) if I be so , / From my cold heart let Heaven ingender haile , / And poyson it in the sourse , and the first stone / Drop in my necke : as it determines so / Dissolve my ...
... Antony and Cleopatra 3.13.158-62 [ TLN 2341–45 ] : “ Ah ( Deare ) if I be so , / From my cold heart let Heaven ingender haile , / And poyson it in the sourse , and the first stone / Drop in my necke : as it determines so / Dissolve my ...
الصفحة 249
... Antony and Cleopatra 1.4.3–4 [ TLN 432–33 ] , where , the text reads : " It is not Casars vice , to hate / One great Competitor . " For line 7 , Ingram and Redpath note that there is some controversy as to the nature of the comparison ...
... Antony and Cleopatra 1.4.3–4 [ TLN 432–33 ] , where , the text reads : " It is not Casars vice , to hate / One great Competitor . " For line 7 , Ingram and Redpath note that there is some controversy as to the nature of the comparison ...
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM