Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 57
... Duncan - Jones notes the inverted phrases in line 7 , whose sense is ( as Booth noted before her ) “ Or say if it shall go well with princes . " There is a similar inversion in line 5 , which in prose would read , " Nor can I tell ...
... Duncan - Jones notes the inverted phrases in line 7 , whose sense is ( as Booth noted before her ) “ Or say if it shall go well with princes . " There is a similar inversion in line 5 , which in prose would read , " Nor can I tell ...
الصفحة 58
... Duncan - Jones sug- gests in discussing line 7 , was mocking " the ponderousness of a conventional astrologer . " On the other hand , maybe he was mocking conventional son- neteers . Or , perhaps he was simply being conventional . At ...
... Duncan - Jones sug- gests in discussing line 7 , was mocking " the ponderousness of a conventional astrologer . " On the other hand , maybe he was mocking conventional son- neteers . Or , perhaps he was simply being conventional . At ...
الصفحة 232
... Duncan - Jones says : “ The line is rather obscure : probably , ' to find a formal cause for your desire to leave me ' ; ' by setting out the manner in which you would like me to change ( for the better ) ' ; or , ' to make the change ...
... Duncan - Jones says : “ The line is rather obscure : probably , ' to find a formal cause for your desire to leave me ' ; ' by setting out the manner in which you would like me to change ( for the better ) ' ; or , ' to make the change ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM