Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 131
... agree with Ingram and Redpath that the second reading is specifically not intended . An unusual amount of controversy surrounds the pronunciation of " melan- cholie " in 45.8 . OULTON ( 1804 , 2 : 199 ) says that it " must be pronounced ...
... agree with Ingram and Redpath that the second reading is specifically not intended . An unusual amount of controversy surrounds the pronunciation of " melan- cholie " in 45.8 . OULTON ( 1804 , 2 : 199 ) says that it " must be pronounced ...
الصفحة 190
... agree on removing the comma at the end of line 5 and placing one after " greater " in line 6 , assuming " worth " to be the object of " approve . Booth notes that " approve " need not be read as " prove , " as it most commonly is , but ...
... agree on removing the comma at the end of line 5 and placing one after " greater " in line 6 , assuming " worth " to be the object of " approve . Booth notes that " approve " need not be read as " prove , " as it most commonly is , but ...
الصفحة 232
... agree - I think the rhythm of the line recommends an end - line pause . However , I agree with Booth's decision not to alter the punctuation , allowing the reader to decide how to read the line . The colons at the ends of Sonnet 89 ...
... agree - I think the rhythm of the line recommends an end - line pause . However , I agree with Booth's decision not to alter the punctuation , allowing the reader to decide how to read the line . The colons at the ends of Sonnet 89 ...
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM