Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 68
... argument from one sonnet to the next , the entire style and tenor of this poem is a dramatic contrast to its seventeen predecessors . The effect is similar to a change of acts in the plays . We will find such influences throughout The ...
... argument from one sonnet to the next , the entire style and tenor of this poem is a dramatic contrast to its seventeen predecessors . The effect is similar to a change of acts in the plays . We will find such influences throughout The ...
الصفحة 207
... argument Deferues the trauaile of a worthier pen , Yet what of thee thy Poet doth inuent , He robs thee of , and ... argument the theme of your loveliness ( ROLFE ) 11 affoord offer ( SCHMIDT ) 14 owes is obliged to give ( Harbage ) ...
... argument Deferues the trauaile of a worthier pen , Yet what of thee thy Poet doth inuent , He robs thee of , and ... argument the theme of your loveliness ( ROLFE ) 11 affoord offer ( SCHMIDT ) 14 owes is obliged to give ( Harbage ) ...
الصفحة 373
... argument by first posit- ing a different one and then contradicting it . The change in argument usually occurs at the third quatrain or the couplet , often resulting in a surprise end- ing . In the double and triple sonnets , it occurs ...
... argument by first posit- ing a different one and then contradicting it . The change in argument usually occurs at the third quatrain or the couplet , often resulting in a surprise end- ing . In the double and triple sonnets , it occurs ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM