Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 19
... asks : " Is it on a priori grounds likely that print- ers were more ignorant than the majority of their fellow men ? Could a human being endowed with reason serve an apprenticeship , work at the trade of print- ing all his life , and ...
... asks : " Is it on a priori grounds likely that print- ers were more ignorant than the majority of their fellow men ? Could a human being endowed with reason serve an apprenticeship , work at the trade of print- ing all his life , and ...
الصفحة 274
... asks , “ Is there any thing in these words which , read without a preconceived hypothesis , would particularly apply to the publick profession of a player or writer for the stage ? " On the other hand , Booth points out ( 354 ...
... asks , “ Is there any thing in these words which , read without a preconceived hypothesis , would particularly apply to the publick profession of a player or writer for the stage ? " On the other hand , Booth points out ( 354 ...
الصفحة 367
... asks . The change in line 11 , however , brings out the subtext . Once again , the speaker is not really concerned about the origin of the mistress's power , and the sonnet does not seek to explain it . The speaker is concerned with the ...
... asks . The change in line 11 , however , brings out the subtext . Once again , the speaker is not really concerned about the origin of the mistress's power , and the sonnet does not seek to explain it . The speaker is concerned with the ...
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM