Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 22
... assuming that the compositor accidentally added a punctuation mark where none was indicated . Only where ... assume that the italicization and capitalization of the Quarto reflect intended nuances , and should not be altered ...
... assuming that the compositor accidentally added a punctuation mark where none was indicated . Only where ... assume that the italicization and capitalization of the Quarto reflect intended nuances , and should not be altered ...
الصفحة 113
... assumes that this phrase relates specifically to " or more " in the preceding line ( and he adds , “ He may be right ... assume that connection , given the context . Although my instincts tell me that reading " thy " is more consistent ...
... assumes that this phrase relates specifically to " or more " in the preceding line ( and he adds , “ He may be right ... assume that connection , given the context . Although my instincts tell me that reading " thy " is more consistent ...
الصفحة 116
... assume a near - homonymic substitution by the compositor not occur- ring in any of the twenty - seven other occurrences of " dost " in The Sonnets . My sense of line 12 is that absence sweetly cheats in the same way that " parting is ...
... assume a near - homonymic substitution by the compositor not occur- ring in any of the twenty - seven other occurrences of " dost " in The Sonnets . My sense of line 12 is that absence sweetly cheats in the same way that " parting is ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM