Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 348
... beginning another ) , as noted by Booth : thy deare vertue hate , / Hate of my sinne ... " But the most dramatic is chiasmus , noted by Ingram and Redpath , and others . The effect , in this case , is complex . The standard form ...
... beginning another ) , as noted by Booth : thy deare vertue hate , / Hate of my sinne ... " But the most dramatic is chiasmus , noted by Ingram and Redpath , and others . The effect , in this case , is complex . The standard form ...
الصفحة 358
... beginning of line 2 , preferring with MASSEY ( 1866 , 379 n . ) to look at the other end of line 2 for the corruption : " it is clear that if ' that thee ' be omitted we are left with a line both metrically satisfactory and pregnant in ...
... beginning of line 2 , preferring with MASSEY ( 1866 , 379 n . ) to look at the other end of line 2 for the corruption : " it is clear that if ' that thee ' be omitted we are left with a line both metrically satisfactory and pregnant in ...
الصفحة 373
... beginning of this couplet is the same as the beginning of the couplet in 147 , “ but the statement is now used to introduce a significantly dif- ferent conclusion : the poet's own , not his mistress's moral culpability . " The error in ...
... beginning of this couplet is the same as the beginning of the couplet in 147 , “ but the statement is now used to introduce a significantly dif- ferent conclusion : the poet's own , not his mistress's moral culpability . " The error in ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM