Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 36
... comma " at this point ( S. Tabor , personal communication ) . Of more interest is the use of the comma at the end of the line in exactly the same construction as here in Sonnets 45 , 51 , 55 , and 107. The comma is absent in this ...
... comma " at this point ( S. Tabor , personal communication ) . Of more interest is the use of the comma at the end of the line in exactly the same construction as here in Sonnets 45 , 51 , 55 , and 107. The comma is absent in this ...
الصفحة 50
... commas for appositional phrases . In this case , the pause is understood and the addition of the comma is an unobjectionable modernization . Some earlier editors placed a comma after " selfe " in line 12 , but none of the collated ...
... commas for appositional phrases . In this case , the pause is understood and the addition of the comma is an unobjectionable modernization . Some earlier editors placed a comma after " selfe " in line 12 , but none of the collated ...
الصفحة 145
... comma after " going " in 51.13 . He finds no variants among the twelve other extant copies . The comma is clearly present in the Huntington - Bridge- water copy , though it lies somewhat below type height , making it only faintly ...
... comma after " going " in 51.13 . He finds no variants among the twelve other extant copies . The comma is clearly present in the Huntington - Bridge- water copy , though it lies somewhat below type height , making it only faintly ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM