Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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النتائج 1-3 من 84
الصفحة 25
... Commentary All modern editors have had the advantage of having access to the enormous amount of work done by the lexicographers of the late nineteenth and early twentieth century . Their glosses are ... COMMENTARY 25 Glosses and Commentary.
... Commentary All modern editors have had the advantage of having access to the enormous amount of work done by the lexicographers of the late nineteenth and early twentieth century . Their glosses are ... COMMENTARY 25 Glosses and Commentary.
الصفحة 117
... commentary to Sonnet 4. ) I assume an end - line transposition of punctuation between lines 3 and 4 to explain the odd punctuation of the first quatrain . The sense demands a stronger pause at the end of the quatrain than after line 3 ...
... commentary to Sonnet 4. ) I assume an end - line transposition of punctuation between lines 3 and 4 to explain the odd punctuation of the first quatrain . The sense demands a stronger pause at the end of the quatrain than after line 3 ...
الصفحة 153
... commentary to Sonnet 3 ) , I prefer to let the comma stand . NEILSON and HILL ( 1942 ) point out that the " unswept stone " of line 4 must refer to a “ flat memorial stone in the pavement of a church . ” BROOKE ( 1936 ) compares ...
... commentary to Sonnet 3 ) , I prefer to let the comma stand . NEILSON and HILL ( 1942 ) point out that the " unswept stone " of line 4 must refer to a “ flat memorial stone in the pavement of a church . ” BROOKE ( 1936 ) compares ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM