Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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النتائج 1-3 من 37
الصفحة 71
... consider the entire couplet to be weak . Especially in comparison to Sonnet 18 , the high style of this son- net may feel more heroic than passionate . Perhaps we have a glimpse here of the speaker trying too hard to impress the youth ...
... consider the entire couplet to be weak . Especially in comparison to Sonnet 18 , the high style of this son- net may feel more heroic than passionate . Perhaps we have a glimpse here of the speaker trying too hard to impress the youth ...
الصفحة 83
... consider that the circuitous path by which " thy beauties forme " is seen intensifies its grandeur . The beloved's beauty is seen through the lover's eyes , painted on the lover's heart , which is seen , in turn , through the loving ...
... consider that the circuitous path by which " thy beauties forme " is seen intensifies its grandeur . The beloved's beauty is seen through the lover's eyes , painted on the lover's heart , which is seen , in turn , through the loving ...
الصفحة 271
... consider the beloved to be the one guilty of Falstaff- like gall if we think he has made the accusation refuted by ... considers more than " nothing , " his " Rose , " the beloved young man . The question is whether we believe him . Line ...
... consider the beloved to be the one guilty of Falstaff- like gall if we think he has made the accusation refuted by ... considers more than " nothing , " his " Rose , " the beloved young man . The question is whether we believe him . Line ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM