Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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النتائج 1-3 من 39
الصفحة 11
... conventional , and it is important that The Sonnets be viewed in this perspective . From the classical love poetry of Ovid , through the French medieval romances , to the lyric poetry of Petrarch , Elizabethan sonneteers had a long ...
... conventional , and it is important that The Sonnets be viewed in this perspective . From the classical love poetry of Ovid , through the French medieval romances , to the lyric poetry of Petrarch , Elizabethan sonneteers had a long ...
الصفحة 58
... conventional astrologer . " On the other hand , maybe he was mocking conventional son- neteers . Or , perhaps he was simply being conventional . At any rate , this read- ing resolves a problem first noted by Rollins — the usual reading ...
... conventional astrologer . " On the other hand , maybe he was mocking conventional son- neteers . Or , perhaps he was simply being conventional . At any rate , this read- ing resolves a problem first noted by Rollins — the usual reading ...
الصفحة 194
... conventional posturing as we considered in Sonnet 71. As Booth says , " This kind of hyperbolic mod- esty about their literary offspring was conventional with Renaissance writers . ' Even so , the tone of this poem is different from its ...
... conventional posturing as we considered in Sonnet 71. As Booth says , " This kind of hyperbolic mod- esty about their literary offspring was conventional with Renaissance writers . ' Even so , the tone of this poem is different from its ...
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM