Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 21
... error , would seem even higher . This would explain the ten instances of son- nets ending with a comma ( Rollins 1944 , 2:17 ; Rollins fails to list Sonnet 76 , though he notes the error at 1 : 196 ) . Second , the compositor may also ...
... error , would seem even higher . This would explain the ten instances of son- nets ending with a comma ( Rollins 1944 , 2:17 ; Rollins fails to list Sonnet 76 , though he notes the error at 1 : 196 ) . Second , the compositor may also ...
الصفحة 242
... error or an attempt to make up for a deficient manuscript . EWING ( 1771 ) makes just this sort of error in replacing the couplet of Sonnet 77 with that of Sonnet 108. The origin of the error can be seen from Benson's text , upon which ...
... error or an attempt to make up for a deficient manuscript . EWING ( 1771 ) makes just this sort of error in replacing the couplet of Sonnet 77 with that of Sonnet 108. The origin of the error can be seen from Benson's text , upon which ...
الصفحة 302
... error . A foul - case error seems likely , especially given the strong pauses at the ends of the other quatrains . I would choose the period since this is the most common foul - case error in The Sonnets . The semicolon and colon are ...
... error . A foul - case error seems likely , especially given the strong pauses at the ends of the other quatrains . I would choose the period since this is the most common foul - case error in The Sonnets . The semicolon and colon are ...
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM