Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 21
... mark for another , just as we see commonly with letters . Although the semicolon and comma were not in adjacent bins ... mark accidentally . There is little reason to think this error any less likely for punctuation marks than for ...
... mark for another , just as we see commonly with letters . Although the semicolon and comma were not in adjacent bins ... mark accidentally . There is little reason to think this error any less likely for punctuation marks than for ...
الصفحة 22
... mark the turned - up word , and then had no more room for the final punc- tuation . The same problem results in the loss of a comma after the last word , " seeming , " in 102.1 , where " -ing " is turned down to the next line . In 26.14 ...
... mark the turned - up word , and then had no more room for the final punc- tuation . The same problem results in the loss of a comma after the last word , " seeming , " in 102.1 , where " -ing " is turned down to the next line . In 26.14 ...
الصفحة 117
... marks corrects the problem as the lack of a question mark at the end of a question is not uncommon in Elizabethan English . Seymour - Smith's choice is another reasonable emendation , but the substitution of a comma for a question mark ...
... marks corrects the problem as the lack of a question mark at the end of a question is not uncommon in Elizabethan English . Seymour - Smith's choice is another reasonable emendation , but the substitution of a comma for a question mark ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM