Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 13
... mind of the lover , thus turning from visible beauty to the beauty of the mind . This beauty is then generalized to the beauty of all minds and , finally , ideal love is individualized into " the beauty that is at once universal and ...
... mind of the lover , thus turning from visible beauty to the beauty of the mind . This beauty is then generalized to the beauty of all minds and , finally , ideal love is individualized into " the beauty that is at once universal and ...
الصفحة 50
... mind : ' oh , change your mind ( about marrying ) so that I can change my mind ( about you ) . Rollins says of the " O " : " This interjection is a definite mannerism in [ Shake- speare's ] poems and sonnets . MRS . FURNESS ( 1875 ...
... mind : ' oh , change your mind ( about marrying ) so that I can change my mind ( about you ) . Rollins says of the " O " : " This interjection is a definite mannerism in [ Shake- speare's ] poems and sonnets . MRS . FURNESS ( 1875 ...
الصفحة 283
... mind ( the king ) . . . . [ T ] he argument of the couplet is that the eye's guilt in offering poisoned wine ( misapprehended truth ) to the mind is lessened because the eye too is deceived , it too is eager to drink up the apparently ...
... mind ( the king ) . . . . [ T ] he argument of the couplet is that the eye's guilt in offering poisoned wine ( misapprehended truth ) to the mind is lessened because the eye too is deceived , it too is eager to drink up the apparently ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM