Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 20
... pauses rather than rhetorical structures . As Percy Simpson puts it ( 1911 , 8 ) : " Modern punctuation is , or at any rate ... pause there nonetheless . It forces an emphasis on the following word , an emphasis that would not be evident ...
... pauses rather than rhetorical structures . As Percy Simpson puts it ( 1911 , 8 ) : " Modern punctuation is , or at any rate ... pause there nonetheless . It forces an emphasis on the following word , an emphasis that would not be evident ...
الصفحة 52
... pause that is implied in the line . TUCKER ( 1924 ) defines " store " in line 9 : " A stock to draw upon ( often of ... pauses , but here they are much more ample , though again consistently marked by the punctuation . Also mundane are ...
... pause that is implied in the line . TUCKER ( 1924 ) defines " store " in line 9 : " A stock to draw upon ( often of ... pauses , but here they are much more ample , though again consistently marked by the punctuation . Also mundane are ...
الصفحة 223
... pause in line 9 comes after the sixth syllable , and line 14 has the pause after the fifth syllable . Even lines 4 and 5 have variations that affect the meter : the internal rhyme of “ wombe " with " tombe ” in line 4 bridges the verse ...
... pause in line 9 comes after the sixth syllable , and line 14 has the pause after the fifth syllable . Even lines 4 and 5 have variations that affect the meter : the internal rhyme of “ wombe " with " tombe ” in line 4 bridges the verse ...
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM