Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 20
... reader's ... feeling for the sense , syntax , and rhetori- cal interrelation of the verse lines , a contemporaneous immediacy denied to later readers or editors " ( G. B. Evans 1996 , 285 ) . The willingness of modern editors to ignore ...
... reader's ... feeling for the sense , syntax , and rhetori- cal interrelation of the verse lines , a contemporaneous immediacy denied to later readers or editors " ( G. B. Evans 1996 , 285 ) . The willingness of modern editors to ignore ...
الصفحة 27
... reader unfamiliar with Elizabethan printing conventions , a few notes will be helpful . The letter " j " is always represented by an “ i , ” the letters “ u ” and " v " are both printed as a " v " at the beginning of a word and as a " u ...
... reader unfamiliar with Elizabethan printing conventions , a few notes will be helpful . The letter " j " is always represented by an “ i , ” the letters “ u ” and " v " are both printed as a " v " at the beginning of a word and as a " u ...
الصفحة 302
... reader should expect to understand fully the beginning of the poem until it has been read through in its entirety . The reader is , after all , eavesdropping on a conversation between the speaker and the beloved . The delay in ...
... reader should expect to understand fully the beginning of the poem until it has been read through in its entirety . The reader is , after all , eavesdropping on a conversation between the speaker and the beloved . The delay in ...
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Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM