Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 من الصفحات This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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الصفحة 82
... refers to perspective , it is not only an unnecessary pronoun , it makes the line dis- connected from the preceding one , giving the quatrain an unbalanced feel . I suspect that the compositor reversed the order of the words " it is ...
... refers to perspective , it is not only an unnecessary pronoun , it makes the line dis- connected from the preceding one , giving the quatrain an unbalanced feel . I suspect that the compositor reversed the order of the words " it is ...
الصفحة 216
... refers to what the beloved “ might show . " I read the second quatrain as saying , " And therefore have I refrained from writing about you since you , being extant , might show how much a modern pen comes too short , [ when ] speaking ...
... refers to what the beloved “ might show . " I read the second quatrain as saying , " And therefore have I refrained from writing about you since you , being extant , might show how much a modern pen comes too short , [ when ] speaking ...
الصفحة 222
... refers to the “ age unbred " and " you " refers to the beloved . Shakespeare thus seems to be consistent in his address to the beloved within a single poem . ( 3 ) Duncan - Jones emends " their " to " your , " keeping the same sense as ...
... refers to the “ age unbred " and " you " refers to the beloved . Shakespeare thus seems to be consistent in his address to the beloved within a single poem . ( 3 ) Duncan - Jones emends " their " to " your , " keeping the same sense as ...
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عبارات ومصطلحات مألوفة
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM