Tempest in the CaribbeanU of Minnesota Press - 192 من الصفحات Shakespeare's The Tempest has long been claimed by colonials and postcolonial thinkers alike as the dramatic work that most enables them to confront their entangled history, recognized as early modernity's most extensive engagement with the vexing issues of colonialism--race, dispossession, language, European displacement and occupation, disregard for native culture. Tempest in the Caribbean reads some of the "classic" anticolonial texts--by Aime Cesaire, Roberto Fernandez Retamar, George Lamming, and Frantz Fanon, for instance--through the lens of feminist and queer analysis exemplified by the theoretical essays of Sylvia Wynter and the work of Michelle Cliff. Extending the Tempest plot, Goldberg considers recent works by Caribbean authors and social theorists, among them Patricia Powell, Jamaica Kincaid, and Hilton Als. These rewritings, he suggests, and the lived conditions to which they testify, present alternatives to the masculinist and heterosexual bias of the legacy that has been derived from The Tempest. By placing gender and sexuality at the center of the debate about the uses of Shakespeare for anticolonial purposes, Goldberg's work points to new possibilities that might be articulated through the nexus of race and sexuality. Place sexuality at the center of Caribbean responses to Shakespeare's play. |
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Abeng African Aimé Césaire American argues Ariel Black Skin black woman Brathwaite's C. L. R. James Caliban Caliban's Daughter Caliban's woman Cambridge Caribbean Césaire Césaire's cited claim Clare Cliff colonial colonialist context Critical Critique cultural desire difference Discourse edition Eshu essay Fanon father female feminist Fernández Retamar figure forms Frantz Fanon gender George Lamming Gilroy Harry/Harriet heterosexual homophobia homosexuality Hulme human identification identity imagine interview Jamaica Jamaica Kincaid Jeremy Kamau Brathwaite Kant Kant's kind Lamming's language lesbian male Mannoni Martí masculinism masculinist Michelle Cliff Miranda Miranda's lines monster monstrous mother native nature nonetheless normative notes novel Orgel play Pleasures poem political position possibility Postcolonial Prospero race racial rape reading relationship revolutionary rewriting same-sex scene sexual Shakespeare slave slavery social sodomite sodomy suggests Sycorax Sylvia Wynter Teeton Tempest tion trans University Press Vaughans Water with Berries White Masks wife witch women World writing York