Theology, Music and TimeCambridge University Press, 24/07/2000 - 317 من الصفحات Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past. |
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النتائج 1-5 من 33
الصفحة x
... Beethoven,StringQuartetno.7inFmajor,op.59,no.1 102 Mozart,Symphonyno.41inCmajor, k. 551, 'Jupiter', third movement ... Beethoven,StringQuartetinFmajor,op.135,first movement 115 Beethoven,StringQuartetinFmajor,op.135,first movement 116 ...
... Beethoven,StringQuartetno.7inFmajor,op.59,no.1 102 Mozart,Symphonyno.41inCmajor, k. 551, 'Jupiter', third movement ... Beethoven,StringQuartetinFmajor,op.135,first movement 115 Beethoven,StringQuartetinFmajor,op.135,first movement 116 ...
الصفحة xi
Jeremy S. Begbie. 6.3 8.1 8.2 8.3 8.4 8.5 Beethoven,Symphonyno.6inFmajor,op.68,firstmovement 166 Syncopation 208 Syncopation:accentonquaver 208 JeromeKern,'AlltheThingsYouAre'.FromJoachimE.Berendt, The Jazz Book: From New Orleans to Jazz ...
Jeremy S. Begbie. 6.3 8.1 8.2 8.3 8.4 8.5 Beethoven,Symphonyno.6inFmajor,op.68,firstmovement 166 Syncopation 208 Syncopation:accentonquaver 208 JeromeKern,'AlltheThingsYouAre'.FromJoachimE.Berendt, The Jazz Book: From New Orleans to Jazz ...
الصفحة xii
... Barsandhyperbars 42 Metricalmatrix 42 Metricalmatrix 106 Sonataform 126 Metricalmatrix 161 Beethoven,Symphonyno.6inFmajor,op.68,firstmovement 164 Acknowledgements An enterprise like this does not see the light [xii] List of figures.
... Barsandhyperbars 42 Metricalmatrix 42 Metricalmatrix 106 Sonataform 126 Metricalmatrix 161 Beethoven,Symphonyno.6inFmajor,op.68,firstmovement 164 Acknowledgements An enterprise like this does not see the light [xii] List of figures.
الصفحة 7
... Beethoven and Bach, as well as the Spice Girls and Michael Jackson. To restrict ourselves in this way does not commit us to a cultural hegemony which automatically exalts this music to a position of superiority above all others. Nor ...
... Beethoven and Bach, as well as the Spice Girls and Michael Jackson. To restrict ourselves in this way does not commit us to a cultural hegemony which automatically exalts this music to a position of superiority above all others. Nor ...
الصفحة 12
... Beethoven's Pastoral symphony). It can be ordered in such a way as to correspond to some kind of atmospheric or pictorial reality (as in Debussy's La Meror Musorgsky's Pictures at An Exhibition). It can be made to interact with extra ...
... Beethoven's Pastoral symphony). It can be ordered in such a way as to correspond to some kind of atmospheric or pictorial reality (as in Debussy's La Meror Musorgsky's Pictures at An Exhibition). It can be made to interact with extra ...
المحتوى
II In Gods good time | 69 |
III Time to improvise | 177 |
Bibliography | 281 |
Index of names | 303 |
Index of biblical verses | 307 |
General index | 309 |
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عبارات ومصطلحات مألوفة
aesthetic argue Augustine Augustine’s Barth beats Beethoven Boulez cadence Cage chapter characteristic chord Christian Christology Church closure composer conception constraints context contingency created creation cultural delay distinctive divine dynamic quality emotional eschatology eschaton especially eucharistic example explored freedom fulfilment Gentiles gift given giving harmony hear human hyperbar Ibid improvisation interaction interplay intrinsic involved Jesus Christ Jews John Tavener Jonathan Kramer Jürgen Moltmann kind Kramer language means melody metre metrical waves motion movement Mozart music’s temporality musical improvisation musicology Myitalics natural theology notes parousia particular past and future patterns Paul Paul’s performance physical world piece of music play postmodern present promise reality relation repetition rhythm rhythmic Ridley Hall Rowan Williams Scruton sense Shepherd and Wicke social sound space speak Spirit Steiner structure Sudnow Tavener Tavener’s tension and resolution theme theological things tion tonal music tones trinitarian unpredictable Zuckerkandl 1956