Manual of the Art of Fiction: Prepared for the Use of Schools and CollegesDoubleday, 1918 - 233 من الصفحات |
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الصفحة xi
... IX . THE EPIC , THE DRAMA , AND THE NOVEL Fiction a Generic Term - Narrative in Verse and Narrative in Prose - Three Moods of Fiction - I . The Epic Mood - II . The Dramatic 139 157 Mood - 1 . Influence of the Actor ; 2. CONTENTS xi.
... IX . THE EPIC , THE DRAMA , AND THE NOVEL Fiction a Generic Term - Narrative in Verse and Narrative in Prose - Three Moods of Fiction - I . The Epic Mood - II . The Dramatic 139 157 Mood - 1 . Influence of the Actor ; 2. CONTENTS xi.
الصفحة xii
... Novels ] -III . The Novelistic Mood . X. THE NOVEL , THE NOVELETTE , AND THE SHORT - STORY Novel , Novelette , and Short - Story - The Novel and the Novelette - The Short - Story a Distinct Type - The Dictum of Poe - The Formula of ...
... Novels ] -III . The Novelistic Mood . X. THE NOVEL , THE NOVELETTE , AND THE SHORT - STORY Novel , Novelette , and Short - Story - The Novel and the Novelette - The Short - Story a Distinct Type - The Dictum of Poe - The Formula of ...
الصفحة xiii
... novel is the prosperous parvenu of literature , and only a few of those who acknowledge its vogue and who laud its success take the trouble to recall its humble beginnings and the miseries of its youth . But like other parvenus it is ...
... novel is the prosperous parvenu of literature , and only a few of those who acknowledge its vogue and who laud its success take the trouble to recall its humble beginnings and the miseries of its youth . But like other parvenus it is ...
الصفحة xiv
... novels were under a cloud of suspicion even so far back as the days of Erasmus , in 1525. It was many scores of years there- after before the self - appointed guardians of French literature esteemed the novel highly enough to conde ...
... novels were under a cloud of suspicion even so far back as the days of Erasmus , in 1525. It was many scores of years there- after before the self - appointed guardians of French literature esteemed the novel highly enough to conde ...
الصفحة xv
... novel , since the despised form was allowed to develop naturally , spontaneously , free from all the many artificial restrictions which the dogmatists suc- ceeded in imposing on tragedy and on comedy , and which resulted at last in the ...
... novel , since the despised form was allowed to develop naturally , spontaneously , free from all the many artificial restrictions which the dogmatists suc- ceeded in imposing on tragedy and on comedy , and which resulted at last in the ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
actors actual art of fiction artistic BLISS PERRY Brander Matthews chapter concrete critic definite delineating distinction drama dramatist economy of means Edgar Allan Poe element of action element of character emotional emphasis employed entire epic essay exhibit experience feel fiction-writer fictitious George Eliot George Meredith Guy de Maupassant happen Hawthorne Henry James hero imagined facts important incident individual intellect interest Jane Austen Kipling Kipling's Ligeia logical look major knot Markheim Master of Ballantrae materials matter merely method mind mood narrated narrative effect nature novel novelette novelist omniscience outset passage pattern person phases philosophic plot Poe's point of view prose purpose reader realist represent ROBERT LOUIS STEVENSON romantic Scarlet Letter scene sense sentence series of events short-story single sort stand Stevenson story structure style tale technical tell Thackeray theme thing thought tion tive told truths of human unity words writer of fiction written
مقاطع مشهورة
الصفحة 28 - Master shall praise us, and only the Master shall blame ; And no one shall work for money, and no one shall work for fame ; But each for the joy of the working, and each, in his separate star, Shall draw the Thing as he sees It for the God of Things as They Are!
الصفحة 209 - That like a broken purpose waste in air : So waste not thou ; but come ; for all the vales Await thee ; azure pillars of the hearth Arise to thee ; the children call, and I Thy shepherd pipe, and sweet is every sound, Sweeter thy voice, but every sound is sweet ; Myriads of rivulets hurrying thro' the lawn, The moan of doves in immemorial elms, And murmuring of innumerable bees.
الصفحة 115 - ... considerations beyond our depth. It was possible, I reflected, that a mere different arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate, its capacity for sorrowful impression; and, acting upon this idea, I reined my horse to the precipitous brink of a black and lurid tarn that lay in unruffled lustre by the dwelling, and gazed down, but with a shudder even more thrilling than before, upon the remodelled and inverted...
الصفحة 84 - I WAS ever of opinion that the honest man who married and brought up a large family did more service than he who continued single and only talked of population.
الصفحة 151 - No more firing was heard at Brussels — the pursuit rolled miles away. Darkness came down on the field and city : and Amelia was praying for George, who was lying on his face, dead, with a bullet through his heart.
الصفحة 7 - Canst thou not minister to a mind diseased ; Pluck from the memory a rooted sorrow ; Raze out the written troubles of the brain ; And, with some sweet oblivious antidote, Cleanse the stuff'd bosom of that perilous stuff Which weighs upon the heart ? Doct.
الصفحة 49 - Thou didst swear to me upon a parcel-gilt goblet, sitting in my Dolphin-chamber, at the round table, by a sea-coal fire, upon Wednesday in Wheeson week, when the prince broke thy head for liking his father to a singingman of Windsor, thou didst swear to me then, as I was washing thy wound, to marry me and make me my lady thy wife.
الصفحة 105 - Then, when the dusk of evening had come on, and not a sound disturbed the sacred stillness of the place — when the bright moon poured in her light on tomb and monument, on pillar, wall, and arch, and most of all (it seemed to them) upon her quiet grave...
الصفحة 37 - That the novelist must write from his experience, that his "characters must be real and such as might be met with in actual life;" that "a young lady brought up in a quiet country village should avoid descriptions of garrison life...
الصفحة 200 - can I never — can I never be mistaken — these are the full, and the black, and the wild eyes — of my lost love — of the lady — of the LADY LIGEIA.