Some Account of the English Stage: From the Restoration in 1660 to 1830, المجلد 8H.E. Carrington, 1832 |
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الصفحة 8
... supposed to pass in 1528 when Cam- peius came into England - the King absolutely gained Campeius to do all he could for him without losing the Pope's favour - he led a very dissolute life in Eng- land , hunting and gaming all the day ...
... supposed to pass in 1528 when Cam- peius came into England - the King absolutely gained Campeius to do all he could for him without losing the Pope's favour - he led a very dissolute life in Eng- land , hunting and gaming all the day ...
الصفحة 16
... ( supposed to be the son of a peasant ) Miss Smith : Osbert , Earl of Morven = H. Johnston : Baron of Glendore Pope : Malcolm ( his brother ) Chapman : Count Zulmio Clare- = mont : Matilda Mrs. H. Johnston : Countess ( mo- ther to Osbert ...
... ( supposed to be the son of a peasant ) Miss Smith : Osbert , Earl of Morven = H. Johnston : Baron of Glendore Pope : Malcolm ( his brother ) Chapman : Count Zulmio Clare- = mont : Matilda Mrs. H. Johnston : Countess ( mo- ther to Osbert ...
الصفحة 35
... supposed Capt . Bronze pretends to be Caroline's Cousin , and challenges Sir Damon - Sir Damon begs his wife's pardon , and promises never to offend again - Caroline discovers herself , and gives her hand to Mac Lary - Edgar marries ...
... supposed Capt . Bronze pretends to be Caroline's Cousin , and challenges Sir Damon - Sir Damon begs his wife's pardon , and promises never to offend again - Caroline discovers herself , and gives her hand to Mac Lary - Edgar marries ...
الصفحة 36
... supposed to have been drown- ed - Bertrand had saved the Baron's life in the battle of Hastings - the Baron had in consequence made him one of his family - at the opening of the play , Matilda resides in a hovel near the Baron's castle ...
... supposed to have been drown- ed - Bertrand had saved the Baron's life in the battle of Hastings - the Baron had in consequence made him one of his family - at the opening of the play , Matilda resides in a hovel near the Baron's castle ...
الصفحة 67
... supposed barbarity , that he calls Orsini to account for his wife's conduct-- and informs him that she had been the mistress of Charles Stuart - Orsini considers this as a calumny , and draws his sword - Stanley wishes merely to de ...
... supposed barbarity , that he calls Orsini to account for his wife's conduct-- and informs him that she had been the mistress of Charles Stuart - Orsini considers this as a calumny , and draws his sword - Stanley wishes merely to de ...
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عبارات ومصطلحات مألوفة
1st app 3d act 4th act Abbott alteration Bannister Baron Barrymore Bartley Bath Bengough Betty Beverley Blanchard Booth Capt Castle character Charles Chatterley Conway Cooke Coriolanus Count daughter Davenport Davison Dowton Duke Egerton Elliston Emery Emily Falstaff Farce father Fawcett Gibbs Glover Hamlet Harley Henry 4th Honey Moon Iago Isabella Jane Shore John Johnston Jones Jordan Julia Juliet Julius Cæsar Kean Kemble acted King Lady Macbeth Liston Lord Lovegrove Macready marry Mathews Merchant of Venice Miss Brunton Miss Duncan Miss Foote Miss Jameson Miss Kelly Miss Norton Miss O'Neill Miss Smith Munden Murray Never acted night Opera Orger Othello Oxberry Penley piece Pizarro play Pope Powell printed Queen revived Richard 3d Romeo Romeo and Juliet says scene lies School for Scandal servant Shakspeare Siddons acted Simmons stage Stanley Terry theatre times-the Tokely Wallack Warde Weston wife Wrench written Wroughton Young
مقاطع مشهورة
الصفحة 229 - The truth is that the spectators are always in their senses and know from the first act to the last that the stage is only a stage and that the players are only players.
الصفحة 13 - Well, well, Master Kingston," quoth he, "I see the matter against me how it is framed; but if I had served God as diligently as I have done the king, he would not have given me over in my grey hairs.
الصفحة 229 - He that without diminution of any other excellence shall preserve all the unities unbroken, deserves the like applause with the architect who shall display all the orders of architecture in a citadel without any deduction from its strength. But the principal beauty of a citadel is to exclude the enemy, and the greatest graces of a play are to copy nature and instruct life.
الصفحة 578 - I remember the players have often mentioned it as an honour to Shakespeare, that in his writing (whatsoever he penned) he never blotted out a line. My answer hath been, " Would he had blotted a thousand," which they thought a malevolent speech.
الصفحة 577 - Soul of the age! The applause! delight! the wonder of our stage! My Shakespeare rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie...
الصفحة 397 - I have stood firm for the corps, into which I enrolled myself, and never disgraced my colours by abandoning the cause of the legitimate comedy, to whose service I am sworn, and in whose defence I have kept the field for nearly half a century...
الصفحة 228 - To the unities of time and place he has shown no regard, and perhaps a nearer view of the principles on which they stand will diminish their value and withdraw from them the veneration which, from the time of Corneille, they have very generally received, by discovering that they have given more trouble to the poet than pleasure to the auditor.
الصفحة 265 - I danced forward ; but it struck home, and here, and in an instant. Be such mere women, who with shrieks and outcries can vow a present end to all their sorrows: yet live to court new pleasures, and outlive them. They are the silent griefs which cut the heartstrings; let me die smiling.
الصفحة 572 - The New Inn: or, the Light Heart, a Comedy. As it was never Acted, but most negligently Played by some, the KING'S SERVANTS; and more squeamishly beheld and censur'd by others, the KING'S SUBJECTS, 1629.
الصفحة 229 - Time is, of all modes of existence, most obsequious to the imagination ; a lapse of years is as easily conceived as a passage of hours. In contemplation we easily contract the time of real actions, and therefore willingly permit it to be contracted when we only see their imitation.