Euripides and His Influence, المجلد 3،الجزء 1Marshall Jones Company, 1923 - 188 من الصفحات |
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الصفحة iii
... of King's College , Cambridge INTRODUCTION BY R. W. LIVINGSTONE MJO MARSHALL JONES COMPANY • BOSTON MASSACHUSETTS 3 093 4.3A спр.з COPYRIGHT 1923 BY MARSHALL JONES COMPANY. EURIPIDES AND HIS MIDDLE AGES AND RENAISSANCE.
... of King's College , Cambridge INTRODUCTION BY R. W. LIVINGSTONE MJO MARSHALL JONES COMPANY • BOSTON MASSACHUSETTS 3 093 4.3A спр.з COPYRIGHT 1923 BY MARSHALL JONES COMPANY. EURIPIDES AND HIS MIDDLE AGES AND RENAISSANCE.
الصفحة vii
... Renaissance . Ever since Greek letters after a long night became part of the common heritage of Europe , Greek lit- erature has had its worshippers , and in each century individuals have penetrated behind the literary beauty to the ...
... Renaissance . Ever since Greek letters after a long night became part of the common heritage of Europe , Greek lit- erature has had its worshippers , and in each century individuals have penetrated behind the literary beauty to the ...
الصفحة xv
... III . MIDDLE AGES AND RENAISSANCE IV . THE NEO - CLASSIC AGE V. THE NINETEENTH CENTURY AFTER NOTES BIBLIOGRAPHY PAGE ii vii • xi 3 · 39 82 • 118 AND • • 152 · 179 186 EURIPIDES AND HIS INFLUENCE EURIPIDES AND HIS INFLUENCE I. THE [ xv ]
... III . MIDDLE AGES AND RENAISSANCE IV . THE NEO - CLASSIC AGE V. THE NINETEENTH CENTURY AFTER NOTES BIBLIOGRAPHY PAGE ii vii • xi 3 · 39 82 • 118 AND • • 152 · 179 186 EURIPIDES AND HIS INFLUENCE EURIPIDES AND HIS INFLUENCE I. THE [ xv ]
الصفحة 9
... Renaissance counterpart , limited to giving recitations between the Acts , -the last phase before its total extinction . The gaps left by its disappearance are the intervals be- tween the Acts of the modern play , whose structure is ...
... Renaissance counterpart , limited to giving recitations between the Acts , -the last phase before its total extinction . The gaps left by its disappearance are the intervals be- tween the Acts of the modern play , whose structure is ...
الصفحة 11
... Renaissance ; and the ghost - prologue of the Hecuba , twice copied by the Roman , became so ludicrously popular , that the correct Renais- sance playwright felt it almost a point of honour to commence with some gibbering phantom ...
... Renaissance ; and the ghost - prologue of the Hecuba , twice copied by the Roman , became so ludicrously popular , that the correct Renais- sance playwright felt it almost a point of honour to commence with some gibbering phantom ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted Admetus admiration Æschylus Alcestis ancient Aristophanes Aristotle Athenian Athens audience Aulis Bacchants beautiful century B.C. characters chorus Cicero classical tragedy Clytemnestra Comedy Creusa Cyclops dead death Dionysus drama dramatist Electra Elizabethans Ennius Eschylus Eteocles Eurip Euripidean Euripides famous forgotten fourth century fragments French ghost gods Goethe Greece Greek Tragedy heart Heaven Hecuba Helen Hellas Heracleidae Heracles Hercules hero heroine Hippolytus Homer human idean ides imitation influence of Euripides Iphigenia in Tauris Iphigénie John king Latin legend less lines literary literature lost Macedon Medea Médée medieval Menander Milton modern Orestes Ovid passion Pentheus Phaedra Phèdre Phoenissae Plato play plot Plutarch poet poet's Poetics praise prologue Pylades quoted Racine Renaissance rival Roman Rome scene Schlegel Seneca Shakespeare Socrates Sophocles speaks stage story strange style theatre thee thing Thoas thou tion tragic translations Troades unhappy University verse villains Virgil
مقاطع مشهورة
الصفحة 109 - By heaven, methinks it were an easy leap, To pluck bright honour from the pale-fac'd moon ; Or dive into the bottom of the deep, Where fathom-line could never touch the ground, And pluck up drowne'd honour by the locks...
الصفحة 26 - Give yourself no unnecessary pain, My dear Lord Cardinal. Here, mother, tie My girdle for me, and bind up this hair In any simple knot : ay, that does well. And yours I see is coming down. How often Have we done this for one another ! now We shall not do it any more. My lord, We are quite ready. Well, 'tis very well.
الصفحة 167 - FAR, far from here, The Adriatic breaks in a warm bay Among the green Illyrian hills ; and there The sunshine in the happy glens is fair, And by the sea, and in the brakes. The grass is cool, the sea-side air Buoyant and fresh, the mountain flowers More virginal and sweet than ours.
الصفحة 115 - O! why did God, Creator wise, that peopled highest heaven With spirits masculine, create at last This novelty on earth, this fair defect Of nature, and not fill the world at once With men, as angels, without feminine; Or find some other way to generate Mankind?
الصفحة 113 - Old Law did save, And such as yet once more I trust to have Full sight of her in Heaven without restraint, Came vested all in white, pure as her mind. Her face was veiled ; yet to my fancied sight Love, sweetness, goodness, in her person shined So clear as in no face with more delight. But, oh ! as to embrace me she inclined, I waked, she fled, and day brought back my night.
الصفحة 29 - Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.) I concentrate toward them that are nigh, I wait on the doorslab.
الصفحة 113 - Muses' bower : The great Emathian conqueror bid spare The house of Pindarus, when temple and tower Went to the ground ; and the repeated air Of sad Electra's poet had the power To save the Athenian walls from ruin bare.