Euripides and His Influence, المجلد 3،الجزء 1Marshall Jones Company, 1923 - 188 من الصفحات |
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الصفحة 21
... followed back to the Heracles Mad of Eurip- ides , by way of Seneca's adaptation . Madder indeed than the hero of the latter nothing could be , although the prevailing insanity of almost all that dramatist's characters deprives him of ...
... followed back to the Heracles Mad of Eurip- ides , by way of Seneca's adaptation . Madder indeed than the hero of the latter nothing could be , although the prevailing insanity of almost all that dramatist's characters deprives him of ...
الصفحة 28
... followed , in detail after detail , by the modern world . In his romantic love - interest , his freer intermingling of comedy with tragedy , he looks forward to Shakespeare ; in his subtle penetration of the passionate human heart to ...
... followed , in detail after detail , by the modern world . In his romantic love - interest , his freer intermingling of comedy with tragedy , he looks forward to Shakespeare ; in his subtle penetration of the passionate human heart to ...
الصفحة 50
... followed in those revivals of their works which had become a regular insti- tution . For as in the eighteenth century with Garrick's productions of Shakespeare , acting advanced while play - writing decayed and the actors of [ 50 ] ...
... followed in those revivals of their works which had become a regular insti- tution . For as in the eighteenth century with Garrick's productions of Shakespeare , acting advanced while play - writing decayed and the actors of [ 50 ] ...
الصفحة 95
... followed in 1504 by the Aldine , com- plete except for the Electra . In 1506 Nepos of Parma dedicated a Latin version of the Hecuba to one Tranquillus Molossus , who claimed a magnificent descent from Molossus , the son of Andromache ...
... followed in 1504 by the Aldine , com- plete except for the Electra . In 1506 Nepos of Parma dedicated a Latin version of the Hecuba to one Tranquillus Molossus , who claimed a magnificent descent from Molossus , the son of Andromache ...
الصفحة 96
... followed with an Oreste based on the Iphigenia in Tauris , but a thousand lines longer ; and a third Florentine , Martelli produced a Tullia , printed in 1533 , -a violent distortion of the Roman legend , imitating mainly the Electra of ...
... followed with an Oreste based on the Iphigenia in Tauris , but a thousand lines longer ; and a third Florentine , Martelli produced a Tullia , printed in 1533 , -a violent distortion of the Roman legend , imitating mainly the Electra of ...
طبعات أخرى - عرض جميع المقتطفات
عبارات ومصطلحات مألوفة
acted Admetus admiration Æschylus Alcestis ancient Aristophanes Aristotle Athenian Athens audience Aulis Bacchants beautiful century B.C. characters chorus Cicero classical tragedy Clytemnestra Comedy Creusa Cyclops dead death Dionysus drama dramatist Electra Elizabethans Ennius Eschylus Eteocles Eurip Euripidean Euripides famous forgotten fourth century fragments French ghost gods Goethe Greece Greek Tragedy heart Heaven Hecuba Helen Hellas Heracleidae Heracles Hercules hero heroine Hippolytus Homer human idean ides imitation influence of Euripides Iphigenia in Tauris Iphigénie John king Latin legend less lines literary literature lost Macedon Medea Médée medieval Menander Milton modern Orestes Ovid passion Pentheus Phaedra Phèdre Phoenissae Plato play plot Plutarch poet poet's Poetics praise prologue Pylades quoted Racine Renaissance rival Roman Rome scene Schlegel Seneca Shakespeare Socrates Sophocles speaks stage story strange style theatre thee thing Thoas thou tion tragic translations Troades unhappy University verse villains Virgil
مقاطع مشهورة
الصفحة 109 - By heaven, methinks it were an easy leap, To pluck bright honour from the pale-fac'd moon ; Or dive into the bottom of the deep, Where fathom-line could never touch the ground, And pluck up drowne'd honour by the locks...
الصفحة 26 - Give yourself no unnecessary pain, My dear Lord Cardinal. Here, mother, tie My girdle for me, and bind up this hair In any simple knot : ay, that does well. And yours I see is coming down. How often Have we done this for one another ! now We shall not do it any more. My lord, We are quite ready. Well, 'tis very well.
الصفحة 167 - FAR, far from here, The Adriatic breaks in a warm bay Among the green Illyrian hills ; and there The sunshine in the happy glens is fair, And by the sea, and in the brakes. The grass is cool, the sea-side air Buoyant and fresh, the mountain flowers More virginal and sweet than ours.
الصفحة 115 - O! why did God, Creator wise, that peopled highest heaven With spirits masculine, create at last This novelty on earth, this fair defect Of nature, and not fill the world at once With men, as angels, without feminine; Or find some other way to generate Mankind?
الصفحة 113 - Old Law did save, And such as yet once more I trust to have Full sight of her in Heaven without restraint, Came vested all in white, pure as her mind. Her face was veiled ; yet to my fancied sight Love, sweetness, goodness, in her person shined So clear as in no face with more delight. But, oh ! as to embrace me she inclined, I waked, she fled, and day brought back my night.
الصفحة 29 - Do I contradict myself? Very well then I contradict myself, (I am large, I contain multitudes.) I concentrate toward them that are nigh, I wait on the doorslab.
الصفحة 113 - Muses' bower : The great Emathian conqueror bid spare The house of Pindarus, when temple and tower Went to the ground ; and the repeated air Of sad Electra's poet had the power To save the Athenian walls from ruin bare.