SCENE FROM THE COMEDY OF "A NEW WONDER, OR A WOMAN NEVER VEXT.” Persons. The WIDOW and DOCTOR. Doct. You sent for me, gentlewoman? Wid. Sir, I did; and to this end: I have scruples in my conscience; Some doubtful problems which I cannot answer Nor reconcile; I'd have you make them plain. Doct. This is my duty pray speak your mind. Wid. And as I speak, I must remember heaven, That gave those blessings which I must relate: Sir, you now behold a wondrous woman; You only wonder at the epithet; : I can appprove it good: guess at mine age. Doct. At the half-way 'twixt thirty and forty. Wid. "Twas not much amiss; yet nearest to the How think you then, is not this a wonder? [last. That a woman lives full seven-and-thirty years Maid to a wife, and wife unto a widow, Now widow'd, and mine own, yet all this while From the extremest verge of my remembrance, [* Prince Charles, afterwards Charles I. The play in Even from my weaning hour unto this minute, Did never taste what was calamity? I know not yet what grief is, yet have sought That even those things that I have meant a cross, Wid. Ay, sir, 'tis wonderful: but is it well? For it is now my chief affliction. I have heard you say, that the child of heaven Shall suffer many tribulations; [jects: which his name is printed conjointly with Shakspeare's is Nay, kings and princes share them with their sub called The Birth of Merlin] Then I that know not any chastisement, Wid. It was; but very small: no sooner I [from Doct. All this was happy; nor can you wrest it To drop that wedlock ring from off my finger, Doct. This is but small. Wid. Nay, sure I am of this opinion, That had I suffer'd a draught to be made for it, Doct. You would not suffer it? STEPHEN, A RECLAIMED GAMESTER, NEWLY MARRIED TO THE OVER-FORTUNATE WIDOW. Persons-STEPHEN, ROBERT his nephew, and WIDOW. Wife. How now, sweetheart? what hast thou Steph. I find much debts belonging to you, sweet; And my care must be now to fetch them in. Wife. Ha ha! prithee do not mistake thyself, Nor my true purpose; I did not wed to thrall, Or bind thy large expense, but rather to add A plenty to that liberty; I thought by this, | Thou wouldst have stuff'd thy pockets full of gold, And thrown it at a hazard; made ducks and drakes, And baited fishes with thy silver flies; Why, this had been a blessing too good for me. I have forgot that e'er I had such follies, Enter ROBErt. Steph. Oh, nephew, are you come! the welcomest wish That my heart has; this is my kinsman, sweet. [love, Steph. I should have begg'd that bounty of your Though you had scanted me to have given't him ; For we are one, I an uncle nephew, He a nephew uncle. But, my sweet self, My slow request you have anticipated With proffer'd kindness; and I thank you for it. But how, kind cousin, does your father use you? Is your name found again within his books? Can he read son there? Rob. 'Tis now blotted quite : For by the violent instigation Of my cruel step-mother, his vows and oaths But in his brow, his bounty and behaviour [at home, Steph. Cousin, grieve not at it; that father lost You shall find here; and with the loss of his inheYou meet another amply proffer'd you ; [ritance, Be my adopted son, no more my kinsman : (To his Wife.) So that this borrow'd bounty do From your consent. [not stray Wife. Call it not borrow'd, sir; 'tis all your own; Here 'fore this reverend man I make it known, Thou art our child as free by adoption, As derived from us by conception, Birth, and propinquity; inheritor To our full substance. Rob. You were born to bless us both; My knee shall practise a son's duty Even beneath a son's; giving you all The comely dues of parents; yet not Forgetting my duty to my father: Where'er I meet him he shall have my knee, Although his blessing ne'er return to me. [thee Steph. Come then, my dearest son, I'll now give A taste of my love to thee: be thou my deputy, The factor and disposer of my business; Keep my accounts, and order my affairs; Wife. Will the tide never turn! was ever woman Thus burden'd with unhappy happiness! Did I from riot take him, to waste my goods, And he strives to augment it? I did mistake him. Doct. Spoil not a good text with a false comment; All these are blessings, and from heaven sent ; It is your husband's good, he's now transform'd To a better shade, the prodigal's return'd. Come, come, know joy, make not abundance scant; You 'plain of that which thousand women want. PHILIP MASSINGER. [Born; 1584. Died, 1640.] ported at all at Oxford by the Earl of Pembroke, but by his own father, and concludes that he was withdrawn from it solely by the calamitous event of his death. Whatever was the cause, he left the university abruptly, and coming to London, without friends, or fortune, or profession, was, as he informs us himself, driven by his necessities to the stage for support. THE father of this dramatic poet was attached | authority of Langbaine, that he was not supto the family of Henry, the second Earl of Pembroke, and died in the service of that honourable house. The name of a servant carried with it no sense of degradation in those times, when the great lords and officers of the court numbered inferior nobles among their followers. On one occasion the poet's father was the bearer of letters from the Earl of Pembroke to Queen Elizabeth; a circumstance which has been justly observed to indicate that he could be no mean person, considering the punctilious respect which Elizabeth exacted from her courtiers. Massinger was born at Salisbury, or probably at Wilton, in its neighbourhood, the seat of the Earl of Pembroke, in whose family he also appears to have been educated. That nobleman died in the poet's sixteenth year, who thus unfortunately lost whatever chance he ever had of his protecting kindness. His father continued indeed in the service of the succeeding earl *, who was an accomplished man, a votary of the muses, and one of the brightest ornaments of the court of Elizabeth and James; but he withheld his patronage from a man of genius, who had claims to it, and would have done it honour, for reasons that have not been distinctly explained in the scanty and sorrowful history of the poet. Mr. Gifford, dissatisfied with former reasons alleged for this neglect, and convinced from the perusal of his writings that Massinger was a catholic, conjectures that it may be attributed to his having offended the earl by having apostatised while at the university to that obnoxious faith. He was entered as a commoner of St. Alban's Hall, Oxford, in his eighteenth year, where he continued only four years. Wood and Davies conclude that he missed a degree, and was suddenly withdrawn from the university, in consequence of Pembroke's disapprobation of his attachment to poetry and romances, instead of logic and philosophy. Mr. Gifford prefers the *William, the third Earl of Pembroke. From the period of his arrival in London in 1606 till the year 1622, when his Virgin Martyr appeared in print, it is sufficiently singular that we should have no notice of Massinger, except in one melancholy relic that was discovered by Mr. Malone in Dulwich college, namely, a letter subscribed by him and two other dramatic poets +, in which they solicit the advance of five pounds from the theatrical manager, to save them from the horrors of a gaol. The distressful document accidentally discovers the fact of Massinger having assisted Fletcher in one of his dramas, and thus entitles Sir Aston Cokayne's assertion to belief, that he assisted him in more than one. Though Massinger therefore did not appear in print during the long period already mentioned, his time may be supposed to have been partly employed in those confederate undertakings which were so common during the early vigour of our stage; and there is the strongest presumptive evidence that he was also engaged in plays of his own composition, which have been lost to the world among those literary treasures that perished by the neglect of Warburton, the Somerset herald, and the unconscious sacrilege of his cook. Of Massinger's fame for rapidity in composition Langbaine has preserved a testimony in the lines of a contemporary poet: after the date of his first printed performance those of his subsequent works come in thick succession, and there can be little doubt that the period preceding it was equally prolific. Of his private life literally nothing can be said Nathaniel Field and Robert Daborne. to be known, except that his dedications bespeak incessant distress and dependence, while the recommendatory poems prefixed to his plays address him with attributes of virtue, which are seldom lavished with flattery or falsehood on those who are poor. In one of his dedications he acknowledges the bounty of Philip, Earl of Montgomery, the brother to that Earl of Pembroke who so unaccountably neglected him ; but warm as Massinger's acknowledgments are, the assistance appears to have been but transitory. On the 17th of March, 1640, having gone to bed in apparent health the preceding night, he was found dead in the morning, in his own house, in the Bank-side. He was buried in the church-yard of St. Saviour's, and his fellowcomedians attended him to the grave; but it does not appear from the strictest search that a stone or inscription of any kind marked the place where his dust was deposited; even the memorial of his mortality is given with a pathetic brevity, which accords but too well with the obscure and humble circumstances of his life-" March 20, 1639-40, buried Philip Massinger, a stranger *;" and of all his admirers only Sir Aston Cokayne dedicated a line to his memory. Even posterity did him long injustice: Rowe, who had discovered his merits in the depth of their neglect, forbore to be his editor, in the hopes of concealing his plagiarism from the Fatal Dowry†; and he seemed on the eve of oblivion, when Dodsley's reprint of our old plays brought him faintly into that light of reputation, which has been made perfectly distinct by Mr. Gifford's edition of his works. FROM "THE DUKE OF MILAN," A TRAGEDY. Sforza, Duke of Milan, in his passionate attachment to his wife Marcelia, cannot endure the idea of her surviving him, and being called out to war, leaves an order to his favourite Francisco, that in the event of his falling in the contest he should put the duchess to death. Marcelia's discovery of this frantic order brings on the jealousy and deaths that form the catastrophe of the piece. MARCELIA TEMPTED BY FRANCISCO. Fran. LET them first know themselves, and how you are To be served and honour'd; which, when they confess, You may again receive them to your favour: Mar. With my thanks The duke shall pay you his, if he return That can be added to your fair acceptance; An ill construction, in your favour finds Marc. From you, I take this As loyal duty; but, in any other, Fran. Flattery, madam! You are so rare and excellent in all things, As that vice cannot reach you; who but looks on Fran. Pardon, therefore, madam, Marc. You have it in my thanks; And, on my hand, I am pleased that you shall take A full possession of it: but, take heed That you fix here, and feed no hope beyond it; If you do, it will prove fatal. Fran. Be it death, And death with torments tyrants ne'er found out, Yet I must say, I love you. Marc. As a subject; And 'twill become you. Fran. Farewell circumstance! And since you are not pleased to understand me, I love you as a man, and, as a man, I would enjoy you. Why do you start, and fly me? I am no monster, and you but a woman, Marc. Keep off. O you Powers !-- [* The real entry is, "1639. March 18. Philip Massinger, stranger"-that is, a non-parishioner; but it has hitherto been quoted as Mr. Campbell has quoted it.] † In The Fair Penitent. The envy of great fortunes? Have I graced thee, Marc. The devil may plead mercy, Fran. 'Tis acknowledged, madam, When I have told the story. Can he tax me, As there were something in you more than woman: Marc. Bless me, good angels, Or I am blasted! Lies so false and wicked, Upon my weak credulity, tell me, rather, How dear he holds you! "Tis his character, Marc. 'Tis his hand, I'm resolved of it. I'll try What the inscription is. Fran. Pray you, do so. Fran. What have I done! Madam! for heaven's sake, madam!-O my fate! I'll bend her body: this is, yet, some pleasure: I'll kiss her into a new life. Dear lady!She stirs. For the duke's sake, for Sforza's sakeMarc. Sforza's! stand off; though dead, I will And even my ashes shall abhor the touch [be his, Of any other.-O unkind, and cruel! Learn, women, learn to trust in one another; There is no faith in man: Sforza is false, False to Marcelia ! Fran. But I am true, And live to make you happy. All the pomp, State, and observance you had, being his, Compared to what you shall enjoy, when mine, Shall be no more remember'd. Lose his memory, And look with cheerful beams on your new creature; And know, what he hath plotted for your good, Fate cannot alter. If the emperor Take not his life, at his return he dies, And by my hand; my wife, that is his heir, Shall quickly follow :-then we reign alone! For with this arm I'll swim through seas of blood, Or make a bridge, arch'd with the bones of men, But I will grasp my aims in you, my dearest, Dearest, and best of women! Marc. Thou art a villain! All attributes of archvillains made into one, Pure and unspotted in my true love to him; |