Dramatic Theory and the Rhymed Heroic PlayBarnes & Noble, 1968 - 235 من الصفحات |
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النتائج 1-3 من 44
الصفحة 81
... audience , it being as it were two Plays in one . ' Unfortunately there are but few signs , in the practice of contemporary drama , of this ideal having been striven for ; much less attained . Dryden , as we know , admitted on one ...
... audience , it being as it were two Plays in one . ' Unfortunately there are but few signs , in the practice of contemporary drama , of this ideal having been striven for ; much less attained . Dryden , as we know , admitted on one ...
الصفحة 137
... audience on the latter's behalf . On the other hand , the duel in which Rodrigue kills le Comte is enacted off the stage , for fear of detracting sympathy from the hero . Corneille does not venture to say , however , whether death ...
... audience on the latter's behalf . On the other hand , the duel in which Rodrigue kills le Comte is enacted off the stage , for fear of detracting sympathy from the hero . Corneille does not venture to say , however , whether death ...
الصفحة 157
... audience which loves poetry but understands it not ' , and contends that ' the roar of passion , indeed , may please an audience , three parts of which are ignorant enough to think all is moving which is noise , and it may stretch the ...
... audience which loves poetry but understands it not ' , and contends that ' the roar of passion , indeed , may please an audience , three parts of which are ignorant enough to think all is moving which is noise , and it may stretch the ...
المحتوى
Introductory | 1 |
Influence of the French Classical Drama | 15 |
The Influence of Contemporary Thought | 27 |
حقوق النشر | |
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Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic points preface probably prose remarks Restoration rhymed plays Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla