Dramatic Theory and the Rhymed Heroic PlayBarnes & Noble, 1968 - 235 من الصفحات |
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الصفحة 157
... bombast is commonly the delight of that audience which loves poetry but understands it not ' , and contends that ' the roar of passion , indeed , may please an audience ... bombast . excess ' . He was not unmindful of his own BOMBAST 157.
... bombast is commonly the delight of that audience which loves poetry but understands it not ' , and contends that ' the roar of passion , indeed , may please an audience ... bombast . excess ' . He was not unmindful of his own BOMBAST 157.
الصفحة 158
... bombast should have ever been exploited for the purpose of catching applause , the more so since he himself had occasionally been guilty of the offence : ' I remember some verses of my own , Maximin and Almanzor , which ... BOMBAST Bombast I.
... bombast should have ever been exploited for the purpose of catching applause , the more so since he himself had occasionally been guilty of the offence : ' I remember some verses of my own , Maximin and Almanzor , which ... BOMBAST Bombast I.
الصفحة 159
... bombast , but justly elevated ; ' in short , those very words and thoughts , which cannot be changed , but for the worse , must of necessity escape our transient view upon the theatre ; and yet ... bombast began to appear in BOMBAST 159.
... bombast , but justly elevated ; ' in short , those very words and thoughts , which cannot be changed , but for the worse , must of necessity escape our transient view upon the theatre ; and yet ... bombast began to appear in BOMBAST 159.
المحتوى
Introductory | 1 |
Influence of the French Classical Drama | 15 |
The Influence of Contemporary Thought | 27 |
حقوق النشر | |
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Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic points preface probably prose remarks Restoration rhymed plays Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla