Dramatic Theory and the Rhymed Heroic PlayBarnes & Noble, 1968 - 235 من الصفحات |
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الصفحة 151
... maintains that passionate speeches should be logically constructed and of a sufficient length and eloquence to elevate the minds of the audience . " The Figures , ' however , ' ought to be very various , and not stayed too long upon ...
... maintains that passionate speeches should be logically constructed and of a sufficient length and eloquence to elevate the minds of the audience . " The Figures , ' however , ' ought to be very various , and not stayed too long upon ...
الصفحة 156
... , I ques- tion whether in Poetry a King can be accessary to a crime ' , ' At this date his two chief productions were Cambyses and The Empress of Morocco . and in another passage he maintains that ' Poetry will 156 BOMBAST.
... , I ques- tion whether in Poetry a King can be accessary to a crime ' , ' At this date his two chief productions were Cambyses and The Empress of Morocco . and in another passage he maintains that ' Poetry will 156 BOMBAST.
الصفحة 157
... maintains that ' bombast is commonly the delight of that audience which loves poetry but understands it not ' , and contends that ' the roar of passion , indeed , may please an audience , three parts of which are ignorant enough to ...
... maintains that ' bombast is commonly the delight of that audience which loves poetry but understands it not ' , and contends that ' the roar of passion , indeed , may please an audience , three parts of which are ignorant enough to ...
المحتوى
Introductory | 1 |
Influence of the French Classical Drama | 15 |
The Influence of Contemporary Thought | 27 |
حقوق النشر | |
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طبعات أخرى - عرض جميع المقتطفات
Dramatic Theory and the Rhymed Heroic Play <span dir=ltr>Cecil V. Deane</span> لا تتوفر معاينة - 2007 |
عبارات ومصطلحات مألوفة
Acacis actors Ancients appear argument audience Beaumont and Fletcher blank verse bombast characters chiefly comedy comic admixture Conquest of Granada considered contemporary Corneille Corneille's couplet Crites D'Aubignac D'Avenant D'Avenant's décor simultané Descartes Dramatic Poesy Dryden Duke of Lerma England English criticism English drama English stage Essay of Dramatic example favour France French criticism Gonsalvo happy ending Henry the Fifth hero heroic drama heroic play heroic poem Howard incidents Indian Queen influence King latter Le Cid love and honour lovers Massinissa Maximin Mesnardière Montezuma Mustapha nature neo-classic observed opera Orrery Orrery's passage passion period Platonic playwrights plot poet poetic points preface probably prose remarks Restoration rhymed plays Rival Ladies romances Roxolana rule Rutland House Saint-Evremond says scenery scenes sentiment serious play setting shows Siege of Rhodes spectacle theatre theory tion tragedy tragic tragicomedy Tyrannick Love unity of action unity of place violent action writing Zempoalla