Blues legacies and Black feminism: Gertrude "Ma" Rainey, Bessie Smith and Billie Holiday

الغلاف الأمامي
Vintage, 1998 - 464 من الصفحات
The author of "Women, Race and Class" suggests that "Ma" Rainey, Bessie Smith, and Billie Holiday represent a black working-class, feminist ideology and historical consciousness. Davis' illuminating analysis of the songs performed by these artists provides readers with a compelling and transformative understanding of their musical and social contributions and of their relation to both the African-American community and American culture. of photos.

من داخل الكتاب

ما يقوله الناس - كتابة مراجعة

LibraryThing Review

معاينة المستخدمين  - pinkcrayon99 - LibraryThing

Davis explains that the Blues genre belongs to women just as much as it does men. Davis stated that the Blues provided a space where women could express themselves in new ways. By analyzing the work ... قراءة التقييم بأكمله

BLUES LEGACIES AND BLACK FEMINISM: Gertrude ``Ma'' Rainey, Bessie Smith, and Billie Holiday

معاينة المستخدمين  - Kirkus

An earnest attempt by the well-known scholar (Women, Culture, and Politics, 1989, etc.) and activist to see three great African-American singers as part of a black feminist tradition. In her ... قراءة التقييم بأكمله

المحتوى

USED TO BE YOUR SWEET MAMA
3
MAMAS GOT THE BLUES
42
HERE COME MY TRAIN
66
حقوق النشر

6 من الأقسام الأخرى غير ظاهرة

طبعات أخرى - عرض جميع المقتطفات

عبارات ومصطلحات مألوفة

نبذة عن المؤلف (1998)

Davis studied at Brandeis University and at Goethe University in Frankfurt, Germany. She lives in California and teaches Black Philosophy and Aesthetics as well as courses in women's studies.

معلومات المراجع