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How from that faphir fount the crifped brooks,

Rolling on orient pearl and fands of gold,

With mazy error under pendent fhades

240

Ran nectar, vifiting each plant, and fed
Flow'rs, worthy' of Paradife, which not nice Art
In beds and curious knots, but Nature boon

Pour'd forth profuse on hill and dale and plain,
Both where the morning fun first warmly fmote
The open field, and where the unpierc'd fhade 245
Imbrown'd the noontide bow'rs: Thus was this place

the Fox Mofca afks Corvino, who had brought a rich pearl as a prefent to old Volpone; Is your pearl orient, Sir? A& I.

244. Both where the morning fun firft warmly fmote

The open field,] This is a manner of expreffion unusual in our language, and plainly borrow'd from the Italian poets, with whom it is very common. Ariofto Orl. Fur. Cant. 8. St. 20,

A

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Percote il fole ardente il vicin colle. To thefe inftances may be added

Cant. 10. St. 35.

Percote il fol nel colle, e fa ritorno. Thyer.

246. Imbrown'd the noontide bow'rs:] A perfon must be acquainted with the Italian language to difcern the force and exact propriety of this term. It is a word which their poets make ufe

from Taffo Gier. Lib. Cant. 14.

St. 70.

Quinci ella in cima à una montagna afcende

Dishabitata, e d'ombre ofcura, e bruna.

In like manner to express the approach of the evening they fay fu l'imbrunir, or if they would fay it

grows

A happy rural feat of various view;,

Groves whofe rich trees wept odorous gums and balm,'
Others whose fruit burnish'd with golden rind
Hung amiable, Hefperian fables true,

If true, here only', and of delicious taste :
Betwixt them lawns, or level downs, and flocks
Grazing the tender herb, were interpos'd,

grows dufky or gloomy Il tempo comincia ad imbrunirfi. Thyer.

248. Groves whofe rich trees &c.] There were groves bearing aromatics, and there were others bearing fruit for fuftenance. The former are called rich trees, as odorous gums and balm carry ufually a higher price than fruit; and they are faid to weep gums and balm by a beautiful metaphor not unufual in poetry: as Ovid fays of the myrrhtree, Met. X. 500.

250

Or

The firft and moft proper fenfe of the word fabula, as all the dictionaries inform us, is fomething commonly talked of, whether true or falfe: and if Milton us'd the word fable fo here, the fenfe is clear of the objection. But the Doctor would rather throw out the words Hefperian apples (or fables) trae, If true, here only, because (fays he) the Hefperian apples are reprefented by the poets as of folid gold, far from being of delicious afte. This objection is anfwer'd

Flet tamen, et tepida manant ex by reading, as I think we ought to

arbore gutta, Eft honor et lacrymis.

250.-Hefperian fables true, &c ] Dr. Bentley prefers apples to fables, and afks how fables can be true any where? If they cannot, I

wonder how the Doctor in his edition of Phædrus, fuffer'd the following paffage to ftand without any cenfure,

Hanc emendare, fi tamen poffum,

volo Vera fabella.

do, the whole paffage thus,

Others, whofe fruit burnish'd with Hung amiable, (Hefperian fables golden rind

true,

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Or palmy hilloc; or the flow'ry lap

255

Of fome irriguous valley fpread her ftore,
Flow'rs of all hue, and without thorn the tofe:
Another fide, umbrageous grots and caves
Of cool recefs, o'er which the mantling vine.
Lays forth her purple grape, and gently creeps
Luxuriant; mean while murm'ring waters fall 265

delicious tafte, thofe there had none. Richardfon.

255. irriguous valley] Wellwater'd, full of fprings and rills: it is the epithet of a garden in Horace, Sat. II. IV. 16.

Irriguo nihil eft elutius horto.
Hume.

Down

thorns and thistles, Gen. III. 18. and from hence the general opinion has prevailed that there were no thorns before; which is enough to juftify a poet in saying the rofe was without thorns or prickles.

257. Another fide, umbrageous grets

and caves] Another fide of 256. Flow'rs of all bue, and with the garden was umbrageous grots out thorn the rofe:] Dr. Bent- and caves &c. Or on another fide ley rejects this verfe, because he were fhady grots and caves, &c. thinks it a jejune identity in the poet the præpofition being omitted as is to fay The flow'ry lap - -Spread not unusual with our author. See flow'rs: but, as Dr.Pearce obferves, I. 282 and 723. On one fide were tho' the expreffion be not very groves of aromatics, others of fruit, exact, it is not fo bad as Dr. Bent- and betwixt them lawns or downs. ley represents it; för the conftruc- On another fide were fhady grotto's tion and fenfe is, The flowry lap of and caves of cool recefs. Our aufome valley spread her flore, which thor indeed has not mention'd one ftote was what? why flow'rs of fide before, but without that he often every color of hue. Dr. Bentley makes ufe of the expreflion, on objects too to the latter part of the th' other fide, as you may fee in II, verfe, and without thorn the rofe, 108, 706. IV. 985. IX. 888. as and calls it a puerile fancy. But Virgil frequently fays in parte alia, It should be remember'd, that it in another part, though he has not was part of the curfe denounced faid exprefly in one part before, Æn. upon the earth for Adam's tranf- I. VIII. 682. IX. 521. greffion, that it should bring forth

474.

261.- difpers'd,

Down the flope hills, difpers'd, or in a lake,
That to the fringed bank with myrtle crown'd
Her crystal mirror holds, unite their streams.
The birds their quire apply; airs, vernal airs,
Breathing the smell of field and grove, attune 265
The trembling leaves, while universal Pan

261.- difpers'd, or in a lake,] The waters fall difperfed, or unite their ftreams in a lake, that prefents her clear looking-glafs, holds her crystal mirror to the fringed bank crown'd with myrtle. He makes the lake we may obferve a perfon, and a critic like Dr. Bentley may find fault with it; but it is ufual with the poets to perfonify lakes and rivers, as Homer does the river Scamander and Virgil the Tiber; and Milton himself makes a perfon of the river of blifs, and a female perfon too, III. 359. as he does here of the lake. This language is certainly more poetical; and I fuppofe he thought Her cryftal mirror founded smoother and better than Its cryftal mirror, or even His cryftal mirror.

266.while univerfal Pan &c.] While univerfal Nature link'd with the graceful feafons danc'd a perpetual round, and throughout the earth yet unpolluted led eternal fpring. All the poets favor the opinion of the world's creation in the fpring. Virg. Georg. II. 338.

Ver illud erat, ver magnus agebat

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That the Graces were taken for the beautiful feafons in which all things feem to dance and smile in an univerfal joy is plain from Horace, Od. IV. VII. i.

Diffugere nives, redeunt jam gra-
mina campis

Gratia cum nymphis geminifque
fororibus audet
Ducere nuda choros,

And Homer joins both the Graces
and Hours hand in hand with Har-
mony, Youth, and Venus in his
Hymn to Apollo.
The Ancients perfoniz'd every
thing. Pan is nature, the Graces

Hume.

are the beautiful seasons, and thẹ Hours are the time requifite for the production and perfection of things, Milton only fays in a moft poetical

manner

Knit with the Graces and the Hours in dance
Led on th' eternal fpring. Not that fair field

Of Enna, where Proférpin gathering flowers,
Herfelf a fairer flow'r by gloomy Dis

270

Was gather'd, which coft Ceres all that pain
To feek her through the world; nor that sweet grove

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268. Not that fair field &c.] Not that fair field of Enna in Sicily, celebrated fo much by Ovid and Claudian for its beauty, from whence Proferpin was carried away by the gloomy God of Hell Dis or Pluto, which occafion'd her mother Ceres to feek her all the world over; nor that fweet grove of Daphne near Antioch, the capital of Syria, feated on the banks of the river Orontes, together with the Caftalian fpring there, of the fame name with that in Greece, and extoll'd for its prophetic qualities; nor the iland Nysa, incompafs'd with the river Triton in Africa, where Cham or Ham the fon of Noah, therefore called old, (who first peopled Egypt and Lybia, and among the Gentiles goes by the name of Ammon or Lybian Jove) hid his miftrefs Amalthea and her beautiful fon Bacchus (therefore called Dionyfus) from his

Of

stepdame Rhea's eye, the stepdame
of Bacchus and wife of the Li-
byan Jove according to fome au-
thors, particularly Diodorus Sicu-
lus, Lib. 3. and Sir Walter Ra-
tho'
leigh's Hift. B. 1. ch. 6. fect. 5.
different from others; nor mount
Amara, where the kings of Abaf-
finia or Abyffinia (a kingdom in
the upper Ethiopia) keep their
children guarded, a place of most
delightful profpect and fituation,
inclos'd with alabafter rocks, which
it is a day's journey to afcend,
fuppofed by fome (tho' fo far di-
ftant from the true Paradife) to be
the feat of Paradife under the
Ethiopian or equinoctial line near
the fprings of the river Nile: Not
any nor all of these could vy with
this Paradife of Eden; this ex-
ceeded all that hiftorians have
written or poets have feign'd of the
most beautiful places in the world.
By the way we fhould obferve his
manner of pronouncing Proferpin
with the accent upon the fecond
fyllable, like the Latin, and as
Spenfer and the old English au-
thors pronounce it, Fairy Queen,
B. 1. Cant. 2. St. 2.

And

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