Philological tracts, &cF. C. and J. Rivington, 1823 |
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الصفحة 4
Samuel Johnson. tyranny of ignorance , that of all the candidates for literary praise , the unhappy lexicographer holds the lowest place , neither vanity nor interest ... praise . beneficence as prodigies , recorded rather 4 THE PLAN OF.
Samuel Johnson. tyranny of ignorance , that of all the candidates for literary praise , the unhappy lexicographer holds the lowest place , neither vanity nor interest ... praise . beneficence as prodigies , recorded rather 4 THE PLAN OF.
الصفحة 5
Samuel Johnson. in their praise . beneficence as prodigies , recorded rather to raise wonder than expectation ; and content ... praise of elegance or discern- ment , must contend in the promotion of a design that you , my Lord , have not ...
Samuel Johnson. in their praise . beneficence as prodigies , recorded rather to raise wonder than expectation ; and content ... praise of elegance or discern- ment , must contend in the promotion of a design that you , my Lord , have not ...
الصفحة 11
... praise . The present usage of spelling , where the present usage can be distinguished , will , therefore , in this work be generally followed ; yet there will be often occasion to observe , that it is in itself inaccurate , and ...
... praise . The present usage of spelling , where the present usage can be distinguished , will , therefore , in this work be generally followed ; yet there will be often occasion to observe , that it is in itself inaccurate , and ...
الصفحة 15
... praise , both of judgment and industry , and may expect at least to be mentioned with honour by me , whom they have freed from the greatest part of a very laborious work , and on whom they have im- posed , at worst , only the easy task ...
... praise , both of judgment and industry , and may expect at least to be mentioned with honour by me , whom they have freed from the greatest part of a very laborious work , and on whom they have im- posed , at worst , only the easy task ...
الصفحة 23
... praise , and others to that of disapprobation ; so commonly though not always , we exhort to good actions , we instigate to ill ; we animate , incite , and encourage indifferently to good or bad . So we usually ascribe good but impute ...
... praise , and others to that of disapprobation ; so commonly though not always , we exhort to good actions , we instigate to ill ; we animate , incite , and encourage indifferently to good or bad . So we usually ascribe good but impute ...
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ancient appear attempt Banquo Bemoin bounty catalogue censure characters common conjecture considered copies corn corrupt criticism curiosity degree dictionary died hereafter diligence discovered drama easily editions editor elegance elliptical arch emendations endeavoured English English language enquiry Epictetus Essay excellence exhibit expected Falstaff favour genius Harleian library Henry Henry VI honour hope imagined inserted INTERPOLATION kind king king of Portugal knowledge known labour language learned less lexicography likewise Macbeth mankind means ments Milton mind nation nature necessary neral never NOTE obscure observed opinion orthography Paradise Lost particular passage passions perfect spy performed perhaps play poet Pope Portuguese praise preserved Prester John prince produced proper publick racter reader reason Roman scenes seems sense sentiments Shakespeare shew shewn sometimes speech sufficient supposed things thought tion tragedy truth William Lauder witches words writers written
مقاطع مشهورة
الصفحة 140 - Shakespeare's plays are not, in the rigorous and critical sense, either tragedies or comedies, but compositions of a distinct kind, exhibiting the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination...
الصفحة 67 - I have protracted my work till most of those whom I wished to please have sunk into the grave; and success and miscarriage are empty sounds. I therefore dismiss it with frigid tranquillity, having little to fear or hope from censure or from praise.
الصفحة 136 - ... find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual; in those of Shakespeare it is commonly a species.
الصفحة 88 - Come, you spirits That tend on mortal thoughts, unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty...
الصفحة 66 - ... be perfect, since while it is hastening to publication, some words are budding, and some falling away; that a whole life cannot be spent upon syntax and etymology, and that even a whole life would not be sufficient; that he, whose design includes whatever language can express, must often speak of what he does not understand...
الصفحة 149 - He no sooner begins to move, than \ he counteracts himself; and terror and pity, as they 1 are rising in the mind, are checked and blasted by ! sudden frigidity. - - , A quibble is to Shakespeare, what luminous vapours are to the traveller; he follows it at all adventures : it is sure to lead him out of his way, and sure to engulf him in the mire.
الصفحة 139 - This therefore is the praise of Shakespeare, that his drama is the mirror of life; that he who has mazed his imagination in following the phantoms which other writers raise up before him, may here be cured of his delirious ecstasies by reading human sentiments in human language; by scenes from which a hermit may estimate the transactions of the world, and a confessor predict the progress of the passions.
الصفحة 87 - Than wishest should be undone. Hie thee hither, That I may pour my spirits in thine ear; And chastise with the valour of my tongue All that impedes thee from the golden round, Which fate and metaphysical aid doth seem To have thee crown'd withal.
الصفحة 37 - I am not yet so lost in lexicography, as to forget that words are the daughters of earth, and that things are the sons of heaven.
الصفحة 169 - He has scenes of undoubted and perpetual excellence; but perhaps not one play, which, if it were now exhibited as the work of a contemporary writer, would be heard to the conclusion.