Orthophony; Or, The Cultivation of the Voice, in Elocution: A Manual of Elementary Exercises, Adapted to Dr. Rush's "Philosophy of the Human Voice," and the System of Vocal CultureTicknor, Reed and Fields, 1854 - 300 من الصفحات |
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الصفحة 43
... sentence ; 2d , enunciate every syl- lable of each word , throughout the line or sentence , clearly and exactly ; 3d , pronounce every word , in the same style ; 4th , read the line or sentence , from the beginning , forward , with ...
... sentence ; 2d , enunciate every syl- lable of each word , throughout the line or sentence , clearly and exactly ; 3d , pronounce every word , in the same style ; 4th , read the line or sentence , from the beginning , forward , with ...
الصفحة 78
... sentence or a clause , may be on one phrase , or even on a single word . In the pronunciation of a word , it may be exclusively on one 1 It may not be improper to remark here , that vocal exercise should be prac- tised at a point of ...
... sentence or a clause , may be on one phrase , or even on a single word . In the pronunciation of a word , it may be exclusively on one 1 It may not be improper to remark here , that vocal exercise should be prac- tised at a point of ...
الصفحة 122
... sentences , it would be better , perhaps , to regard the transitions of the voice from one strain to another , in consecutive reading , as merely the necessary assumption of a new ' pitch , " adapted to each successive emotion , and ...
... sentences , it would be better , perhaps , to regard the transitions of the voice from one strain to another , in consecutive reading , as merely the necessary assumption of a new ' pitch , " adapted to each successive emotion , and ...
الصفحة 126
... sentence , if the feeling obviously changes from clause to clause , —as in the following extract . Reverence and Awe . ( " Low pitch : " rising gradually to " middle , " in the fourth line . ) ADORATION . Porteous . - " O Thou ! whose ...
... sentence , if the feeling obviously changes from clause to clause , —as in the following extract . Reverence and Awe . ( " Low pitch : " rising gradually to " middle , " in the fourth line . ) ADORATION . Porteous . - " O Thou ! whose ...
الصفحة 127
... sentence , admit of being arranged in two classes : 1st , those which prevail in the body of a sentence ; 2d , that which occupies the last three syllables of a sen- tence , and forms the cadence . The former is termed the " current ...
... sentence , admit of being arranged in two classes : 1st , those which prevail in the body of a sentence ; 2d , that which occupies the last three syllables of a sen- tence , and forms the cadence . The former is termed the " current ...
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abrupt accent action animated appropriate articulation Aspirated pectoral quality aspirated quality atonic becomes BOOK OF PSALMS breath cadence character chest command Coriolanus deep degree designation diphthong distinct ditone downward slide earth effect Effusive orotund element elocution Elocutionist emotion enunciation error exact exercises explosive expression Expulsive orotund fault feeling force forcible gentle glottis grave guttural habit heart heaven High pitch human voice Impassioned impressive language larynx light lips Low pitch Median stress melody Middle Pitch Moderate mouth movement muscles musical scale nasal natural notes o'er orotund quality passion pauses peculiar pharynx phrases practice prolonged pronunciation prosodial pure tone purity of tone radical stress reader or speaker reading render Rush scale semitone sentence shout sion soft solemn soul speaking speech student style Subdued subtonic swell syllables termed thee thou tion tongue tonic trachea unimpassioned vanishing stress vivid vocal sound voice wave whispering words