Modes of RhetoricSt. Martin's Press, 1964 - 255 من الصفحات |
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الصفحة 101
... interest , which , from prin- ciple as well as pride - from a general wish of doing right , and a desire of seeing all that were connected with him in situations of respectability , he would have been glad to exert for the advantage of ...
... interest , which , from prin- ciple as well as pride - from a general wish of doing right , and a desire of seeing all that were connected with him in situations of respectability , he would have been glad to exert for the advantage of ...
الصفحة 147
... interest and import of his story at every turn with care , putting the dullest and most readily predictable sections in the most remote narration , the sections of further interest in more minute narration , and reserving for drama the ...
... interest and import of his story at every turn with care , putting the dullest and most readily predictable sections in the most remote narration , the sections of further interest in more minute narration , and reserving for drama the ...
الصفحة 197
... interest to see what is distinctive about modern reverie ; it is also of interest to see what is not distinctive about it , what it shares with any reverie . Was Dorothy Richardson , or even Laurence Sterne , the first to attempt ...
... interest to see what is distinctive about modern reverie ; it is also of interest to see what is not distinctive about it , what it shares with any reverie . Was Dorothy Richardson , or even Laurence Sterne , the first to attempt ...
المحتوى
Abstract and Concrete Sentences | 1 |
Description | 29 |
Definition | 55 |
حقوق النشر | |
7 من الأقسام الأخرى غير ظاهرة
عبارات ومصطلحات مألوفة
abstract action answer aorist Aristotle Arkadina begin Bert Boanerges Boswell called chaw Chekhov considered conversation course cv'd Cyrus Dalloway defined definition dialogue discourse distinct dominant drama drink E. B. White E. S. Dallas elegant variation example eyes feel G. K. Chesterton girls give Gwendolen Hamlet head human infinite Jack Johnson Leopold Bloom lines literary literature logical looked lyric mean mimetic mind narration narrative never novel nymphets occurs opinion Orontas painting passage past tense perhaps person persuasion Plato play poem poet poetry Polonius present tense pretensions of immortality qualities quatrain recurrent result reverie rhetorical modes seems sentence sequence Socrates Socratic method sometimes sonnet speaker Stark Young statement static story stream of consciousness suggests talk tell temporal things thought tion Trigorin truth unique usually verbs wine words writer