The Mysteries of UdolphoGraphic Arts Books, 22/11/2020 - 724 من الصفحات “The first poetess of romantic fiction.”-Sir Walter Scott ““Mrs. Radcliffe is a mistress of hints, suggestions, minute details, breathless pauses, and the hush of suspense.” —The New York Times “Compared to Udolpho, Montoni’s mountain hideaway, Castle Dracula is a country day school.” —Barbara Walker Ann Radcliff’s Mysteries of Udolpho, one of the most famous English gothic novels ever published, was a significant influence on later authors including Mary Shelley, Edgar Allen Poe, and Jane Austen. In combining the supernatural elements of the gothic genre with a deep sensitivity of emotion, this work reveals the height of Radcliffe’s powers as a writer. Living a picturesque life in rural Late-16th Century France, Emily St. Aubert, the novel’s beautiful and sensitive protagonist becomes an orphan when both of her parents die. Adopted by her unaffectionate aunt Madame Cheron, Emily is ultimately imprisoned by Cheron and her cruel husband, the Italian nobleman Signor Montoni. The natural beauty of her life as a young girl in France is contrasted with the seclusion in the eponymous castle where Montoni’s controlling manipulations spin her life into a state of unknowable terror. The hair-raising and strange events that occur within the confines of the dreadful fortress are among the most bone-chilling in all of literature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Mysteries of Udolpho is both modern and readable. |
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... his own marriage he did not follow his sister's example. His lady was an Italian, and an heiress by birth; and, by nature and education, was a vain and frivolous woman. They now determined to pass the night with St. Aubert;
... Italy.” Emily was somewhat surprised to hear him talk of being tempted to remain abroad, after he had mentioned his presence to be so necessary at Paris, that it was with difficulty he could steal away for a month or two; but St. Aubert ...
... Italian gentlemen, of whom one was named Montoni, a distant relation of Madame Quesnel, a man about forty, of an ... Italy, and he spoke of the commotions which at that period agitated the country; talked of party differences with ...
... Italian poets; while Emily's pencil enabled her to preserve some of those combinations of forms, which charmed her at every step. The loneliness of the road, where, only now and then, a peasant was seen driving his mule, or some ...
... Italian poets as he had heard her admire. In the pauses of conversation, when he thought himself not observed, he frequently fixed his eyes pensively on her countenance, which expressed with so much animation the taste and energy of her ...
المحتوى
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 6 | |
CHAPTER 7 | |
CHAPTER 8 | |
CHAPTER 9 | |
CHAPTER 10 | |
CHAPTER 11 | |
CHAPTER 13 | |
VOLUME 2 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 3 | |
CHAPTER 4 | |
CHAPTER 5 | |
CHAPTER 6 | |
CHAPTER 1 | |
CHAPTER 12 | |
CHAPTER 13 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 14 | |
CHAPTER 15 | |
CHAPTER 16 | |
CHAPTER 17 | |
CHAPTER 18 | |
CHAPTER 19 | |