The Mysteries of UdolphoGraphic Arts Books, 22/11/2020 - 724 من الصفحات “The first poetess of romantic fiction.”-Sir Walter Scott ““Mrs. Radcliffe is a mistress of hints, suggestions, minute details, breathless pauses, and the hush of suspense.” —The New York Times “Compared to Udolpho, Montoni’s mountain hideaway, Castle Dracula is a country day school.” —Barbara Walker Ann Radcliff’s Mysteries of Udolpho, one of the most famous English gothic novels ever published, was a significant influence on later authors including Mary Shelley, Edgar Allen Poe, and Jane Austen. In combining the supernatural elements of the gothic genre with a deep sensitivity of emotion, this work reveals the height of Radcliffe’s powers as a writer. Living a picturesque life in rural Late-16th Century France, Emily St. Aubert, the novel’s beautiful and sensitive protagonist becomes an orphan when both of her parents die. Adopted by her unaffectionate aunt Madame Cheron, Emily is ultimately imprisoned by Cheron and her cruel husband, the Italian nobleman Signor Montoni. The natural beauty of her life as a young girl in France is contrasted with the seclusion in the eponymous castle where Montoni’s controlling manipulations spin her life into a state of unknowable terror. The hair-raising and strange events that occur within the confines of the dreadful fortress are among the most bone-chilling in all of literature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Mysteries of Udolpho is both modern and readable. |
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... Valancourt to stay, and partake with him of less homely fare; an invitation, which was readily accepted, and they passed an hour in intelligent conversation. St. Aubert was much pleased with the manly frankness, simplicity, and keen ...
... Valancourt often stopped to speak with the travellers, and with social feeling to point out to them the peculiar objects of his admiration. St. Aubert was pleased with him: “Here is the real ingenuousness and ardour of youth,” said he ...
... Valancourt, in his present state, would bear the motion of the carriage, and perceived that he was already faint from loss of blood. When he mentioned the subject of his anxiety, Valancourt entreated that he would not suffer himself to ...
... Valancourt particularly addressed her, and there was at those times a tremulous tone in his voice that spoke much. They were now so near the fire, which had long flamed at a distance on the blackness of night, that it gleamed upon the ...
... Valancourt seemed again sensible of pain, they separated soon after supper. In the morning St. Aubert found that Valancourt had passed a restless night; that he was feverish, and his wound very painful. The surgeon, when he dressed it ...
المحتوى
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 6 | |
CHAPTER 7 | |
CHAPTER 8 | |
CHAPTER 9 | |
CHAPTER 10 | |
CHAPTER 11 | |
CHAPTER 13 | |
VOLUME 2 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 3 | |
CHAPTER 4 | |
CHAPTER 5 | |
CHAPTER 6 | |
CHAPTER 1 | |
CHAPTER 12 | |
CHAPTER 13 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 14 | |
CHAPTER 15 | |
CHAPTER 16 | |
CHAPTER 17 | |
CHAPTER 18 | |
CHAPTER 19 | |