The Mysteries of UdolphoGraphic Arts Books, 22/11/2020 - 724 من الصفحات “The first poetess of romantic fiction.”-Sir Walter Scott ““Mrs. Radcliffe is a mistress of hints, suggestions, minute details, breathless pauses, and the hush of suspense.” —The New York Times “Compared to Udolpho, Montoni’s mountain hideaway, Castle Dracula is a country day school.” —Barbara Walker Ann Radcliff’s Mysteries of Udolpho, one of the most famous English gothic novels ever published, was a significant influence on later authors including Mary Shelley, Edgar Allen Poe, and Jane Austen. In combining the supernatural elements of the gothic genre with a deep sensitivity of emotion, this work reveals the height of Radcliffe’s powers as a writer. Living a picturesque life in rural Late-16th Century France, Emily St. Aubert, the novel’s beautiful and sensitive protagonist becomes an orphan when both of her parents die. Adopted by her unaffectionate aunt Madame Cheron, Emily is ultimately imprisoned by Cheron and her cruel husband, the Italian nobleman Signor Montoni. The natural beauty of her life as a young girl in France is contrasted with the seclusion in the eponymous castle where Montoni’s controlling manipulations spin her life into a state of unknowable terror. The hair-raising and strange events that occur within the confines of the dreadful fortress are among the most bone-chilling in all of literature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Mysteries of Udolpho is both modern and readable. |
من داخل الكتاب
النتائج 1-5 من 75
... attention with the treasures of knowledge and the illuminations of genius. To this spot he had been attached from his infancy. He had often made excursions to it when a boy, and the impressions of delight given to his mind by the homely ...
... attention. She listened in profound silence, afraid to move from the spot, lest the sound of her steps should occasion her to lose a note of the music, or should disturb the musician. Everything without the building was still, and no ...
... attention, which his guest mistook for the humility of wonder. The latter, indeed, described the few festivities which the turbulence of that period permitted to the court of Henry the Third, with a minuteness, that somewhat recompensed ...
... attention he gave them, and the modulated voice, and softened look that accompanied it, came from his heart, and spoke to theirs. At this melancholy period St. Aubert was likewise visited by Madame Cheron, his only surviving sister, who ...
... was addressed, though its effect, in producing submissive attention, did not escape his observation. When he could disengage himself from the assiduities of the other ladies, he sometimes addressed Emily: but she knew nothing.
المحتوى
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 6 | |
CHAPTER 7 | |
CHAPTER 8 | |
CHAPTER 9 | |
CHAPTER 10 | |
CHAPTER 11 | |
CHAPTER 13 | |
VOLUME 2 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 3 | |
CHAPTER 4 | |
CHAPTER 5 | |
CHAPTER 6 | |
CHAPTER 1 | |
CHAPTER 12 | |
CHAPTER 13 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 14 | |
CHAPTER 15 | |
CHAPTER 16 | |
CHAPTER 17 | |
CHAPTER 18 | |
CHAPTER 19 | |