The Mysteries of UdolphoGraphic Arts Books, 22/11/2020 - 724 من الصفحات “The first poetess of romantic fiction.”-Sir Walter Scott ““Mrs. Radcliffe is a mistress of hints, suggestions, minute details, breathless pauses, and the hush of suspense.” —The New York Times “Compared to Udolpho, Montoni’s mountain hideaway, Castle Dracula is a country day school.” —Barbara Walker Ann Radcliff’s Mysteries of Udolpho, one of the most famous English gothic novels ever published, was a significant influence on later authors including Mary Shelley, Edgar Allen Poe, and Jane Austen. In combining the supernatural elements of the gothic genre with a deep sensitivity of emotion, this work reveals the height of Radcliffe’s powers as a writer. Living a picturesque life in rural Late-16th Century France, Emily St. Aubert, the novel’s beautiful and sensitive protagonist becomes an orphan when both of her parents die. Adopted by her unaffectionate aunt Madame Cheron, Emily is ultimately imprisoned by Cheron and her cruel husband, the Italian nobleman Signor Montoni. The natural beauty of her life as a young girl in France is contrasted with the seclusion in the eponymous castle where Montoni’s controlling manipulations spin her life into a state of unknowable terror. The hair-raising and strange events that occur within the confines of the dreadful fortress are among the most bone-chilling in all of literature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Mysteries of Udolpho is both modern and readable. |
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... heard, till she remembered, that, when she followed M. and Madame St. Aubert from this spot, her lute was left on a window seat. She felt alarmed, yet knew not wherefore; the melancholy gloom of evening, and the profound stillness of ...
... heard, and the voice of the shepherd calling his wandering flocks to the nightly fold. His cabin, partly shadowed by the cork-tree and the ilex, which St. Aubert observed to flourish in higher regions of the air than any other trees ...
... heard a voice shouting from the road behind, and ordering the muleteer to stop. St. Aubert bade him proceed as fast as possible; but either Michael, or his mules were obstinate, for they did not quit the old pace. Horses' feet were now ...
... heard her admire. In the pauses of conversation, when he thought himself not observed, he frequently fixed his eyes pensively on her countenance, which expressed with so much animation the taste and energy of her mind; and when he spoke ...
... heard; and the crags, adjoining the bridge, were of such tremendous height and steepness, that to have climbed either would have been scarcely practicable to a person unacquainted with the ascent. St. Aubert, therefore, did not waste ...
المحتوى
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 6 | |
CHAPTER 7 | |
CHAPTER 8 | |
CHAPTER 9 | |
CHAPTER 10 | |
CHAPTER 11 | |
CHAPTER 13 | |
VOLUME 2 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 3 | |
CHAPTER 4 | |
CHAPTER 5 | |
CHAPTER 6 | |
CHAPTER 1 | |
CHAPTER 12 | |
CHAPTER 13 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 14 | |
CHAPTER 15 | |
CHAPTER 16 | |
CHAPTER 17 | |
CHAPTER 18 | |
CHAPTER 19 | |