The Mysteries of UdolphoGraphic Arts Books, 22/11/2020 - 724 من الصفحات “The first poetess of romantic fiction.”-Sir Walter Scott ““Mrs. Radcliffe is a mistress of hints, suggestions, minute details, breathless pauses, and the hush of suspense.” —The New York Times “Compared to Udolpho, Montoni’s mountain hideaway, Castle Dracula is a country day school.” —Barbara Walker Ann Radcliff’s Mysteries of Udolpho, one of the most famous English gothic novels ever published, was a significant influence on later authors including Mary Shelley, Edgar Allen Poe, and Jane Austen. In combining the supernatural elements of the gothic genre with a deep sensitivity of emotion, this work reveals the height of Radcliffe’s powers as a writer. Living a picturesque life in rural Late-16th Century France, Emily St. Aubert, the novel’s beautiful and sensitive protagonist becomes an orphan when both of her parents die. Adopted by her unaffectionate aunt Madame Cheron, Emily is ultimately imprisoned by Cheron and her cruel husband, the Italian nobleman Signor Montoni. The natural beauty of her life as a young girl in France is contrasted with the seclusion in the eponymous castle where Montoni’s controlling manipulations spin her life into a state of unknowable terror. The hair-raising and strange events that occur within the confines of the dreadful fortress are among the most bone-chilling in all of literature. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Mysteries of Udolpho is both modern and readable. |
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... walked on in silence. A faint erroneous ray, Glanc'd from th' imperfect surfaces of things, Flung half an image on the straining eye; While waving woods, and villages, and streams, And rocks, and mountain-tops, that long retain The ...
... walked away to where no eye could observe his grief. When he returned, his countenance had recovered its usual serenity; he took Emily's hand, pressed it affectionately, without speaking, and soon after called to the muleteer, who sat ...
... walked away from his companions. Valancourt now and then spoke, to point to Emily's notice some feature of the scene. The thinness of the atmosphere, through which every object came so distinctly to the eye, surprised and deluded her ...
... walked towards the cliff; but Valancourt lingered behind, and spoke to the shepherd's wife, who was now weeping with gratitude and surprise. He enquired how much money was yet wanting to replace the stolen sheep, and found, that it was ...
... walked on. The carriage now moved towards the avenue, which was guarded by a gate, and Michael having dismounted to open it, they entered between rows of ancient oak and chesnut, whose intermingled branches formed a lofty arch above ...
المحتوى
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 6 | |
CHAPTER 7 | |
CHAPTER 8 | |
CHAPTER 9 | |
CHAPTER 10 | |
CHAPTER 11 | |
CHAPTER 13 | |
VOLUME 2 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 3 | |
CHAPTER 4 | |
CHAPTER 5 | |
CHAPTER 6 | |
CHAPTER 1 | |
CHAPTER 12 | |
CHAPTER 13 | |
CHAPTER 1 | |
CHAPTER 2 | |
CHAPTER 4 | |
CHAPTER 14 | |
CHAPTER 15 | |
CHAPTER 16 | |
CHAPTER 17 | |
CHAPTER 18 | |
CHAPTER 19 | |