Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth night. Winter's tale. Macbeth.- v.5 King John. King Richrd II. King Henry IV, parts I-II.- v.6. King Henry V. King Henry VI, parts I-III.- v.7 King Richard III. King Henry VIII. Coriolanus.- v.8. Julius Cæsar. Anthony and Cleopatra. Timon of Athens. Titus Andronicus.- v. 9. Troilus and Cressida. Cymbeline. King Lear.- v. 10. Romeo and Juliet. Hamlet. Othello |
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الصفحة 5
individual ; in those of Shakespeare it is commonly a fpecies . 1 1 It is from this
wide extension of design that fo much instruction is derived . It is this which fills
the plays of Shakespeare with practical axioms and domestick wisdom . It was
said ...
individual ; in those of Shakespeare it is commonly a fpecies . 1 1 It is from this
wide extension of design that fo much instruction is derived . It is this which fills
the plays of Shakespeare with practical axioms and domestick wisdom . It was
said ...
الصفحة 7
William Shakespeare Samuel Johnson, George Steevens, Isaac Reed. be
properly transferred from the present poffeffor to another claimant . The choice is
right , when there is reason for choice . Other dramatists can only gain attention
by hy ...
William Shakespeare Samuel Johnson, George Steevens, Isaac Reed. be
properly transferred from the present poffeffor to another claimant . The choice is
right , when there is reason for choice . Other dramatists can only gain attention
by hy ...
الصفحة 9
Shakespeare's plays are not in the rigorous and critical sense either tragedies or
comedies , but compofitions of a distinct kind ; exhibiting the real state of
sublunary nature , which partakes of good and evil , joy and forrow , mingled with
...
Shakespeare's plays are not in the rigorous and critical sense either tragedies or
comedies , but compofitions of a distinct kind ; exhibiting the real state of
sublunary nature , which partakes of good and evil , joy and forrow , mingled with
...
الصفحة 12
William Shakespeare Samuel Johnson, George Steevens, Isaac Reed. Through
all these denominations of the drama , Shakespeare's mode of composition is the
same ; an interchange of seriousness and merriment , by which the mind is ...
William Shakespeare Samuel Johnson, George Steevens, Isaac Reed. Through
all these denominations of the drama , Shakespeare's mode of composition is the
same ; an interchange of seriousness and merriment , by which the mind is ...
الصفحة 14
William Shakespeare Samuel Johnson, George Steevens, Isaac Reed. If there be
, what I believe there is , in every nation , a stile which never becomes obsolete ,
a certain mode of phraseology so consonant and congenial to the analogy and ...
William Shakespeare Samuel Johnson, George Steevens, Isaac Reed. If there be
, what I believe there is , in every nation , a stile which never becomes obsolete ,
a certain mode of phraseology so consonant and congenial to the analogy and ...
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معلومات المراجع
| العنوان | Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth ... المجلد 1 من The Plays of William Shakespeare in Ten Volumes: With Corrections and Illustrations of Various Commentators, William Shakespeare |
| المؤلف | William Shakespeare |
| المُحررون | Samuel Johnson, George Steevens, Isaac Reed |
| الإصدار | 2 |
| الناشر | C. Bathurst, 1778 |
| أصلي من | جامعة ولاية أوهايو |
| الكتب ذات التنسيق الرقمي | 30 أيلول (سبتمبر) 2014 |
| تصدير الاقتباس | BiBTeX EndNote RefMan |