Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth night. Winter's tale. Macbeth.- v.5 King John. King Richrd II. King Henry IV, parts I-II.- v.6. King Henry V. King Henry VI, parts I-III.- v.7 King Richard III. King Henry VIII. Coriolanus.- v.8. Julius Cæsar. Anthony and Cleopatra. Timon of Athens. Titus Andronicus.- v. 9. Troilus and Cressida. Cymbeline. King Lear.- v. 10. Romeo and Juliet. Hamlet. Othello |
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الصفحة 1
... who , being forced by disappointment upon consolatory expedients , are willing
to hope from pofterity what the present age refuses , and Aatter themselves that
the regard , which is yet denied by envy , will be at last bestowed by time .
... who , being forced by disappointment upon consolatory expedients , are willing
to hope from pofterity what the present age refuses , and Aatter themselves that
the regard , which is yet denied by envy , will be at last bestowed by time .
الصفحة 10
1 It is obiected , that by this change of scenes the passions are interrupted in their
progression , and that the principal event , being not advanced by a due
gradation of preparatory incidents , wants at last the power to more , which ...
1 It is obiected , that by this change of scenes the passions are interrupted in their
progression , and that the principal event , being not advanced by a due
gradation of preparatory incidents , wants at last the power to more , which ...
الصفحة 12
In tragedy he often writes with great appearance of toil and study , what is written
at last with little felicity ; but in his comick scenes , he seems to produce without
labour , 1 1 labour , what no labour can improve . In tragedy 12 P R E FACE .
In tragedy he often writes with great appearance of toil and study , what is written
at last with little felicity ; but in his comick scenes , he seems to produce without
labour , 1 1 labour , what no labour can improve . In tragedy 12 P R E FACE .
الصفحة 22
... and know , from the first act to the last , that the stage is only a stage , and that
the players are only players . They come to hear a certain number of lines recited
with just gesture and elegant modulation , The lines relate to some action , and ...
... and know , from the first act to the last , that the stage is only a stage , and that
the players are only players . They come to hear a certain number of lines recited
with just gesture and elegant modulation , The lines relate to some action , and ...
الصفحة 25
... I think , impossible to decide , and useless to enquire . We may reasonably
suppose , that , when he rose to notice , he did not want the counsels and
admonitions of scholars and criticks , and that he at last deliberately persisted in
a practice ...
... I think , impossible to decide , and useless to enquire . We may reasonably
suppose , that , when he rose to notice , he did not want the counsels and
admonitions of scholars and criticks , and that he at last deliberately persisted in
a practice ...
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