Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth night. Winter's tale. Macbeth.- v.5 King John. King Richrd II. King Henry IV, parts I-II.- v.6. King Henry V. King Henry VI, parts I-III.- v.7 King Richard III. King Henry VIII. Coriolanus.- v.8. Julius Cæsar. Anthony and Cleopatra. Timon of Athens. Titus Andronicus.- v. 9. Troilus and Cressida. Cymbeline. King Lear.- v. 10. Romeo and Juliet. Hamlet. Othello |
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الصفحة 1
Some seem to admire indiscriminately whatever has been long preserved ,
without confidering that time has sometimes co - operated with chance ; all
perhaps are more willing to honour past than present excellence ; and the mind ...
Some seem to admire indiscriminately whatever has been long preserved ,
without confidering that time has sometimes co - operated with chance ; all
perhaps are more willing to honour past than present excellence ; and the mind ...
الصفحة 4
The irregular combinations of fanciful invention inay delight awhile , by that
novelty of which the cominon satiety of life sends us all in quest ; but the
pleasures of sudden wonder are soon exhausted , and the mind can only repose
on the ...
The irregular combinations of fanciful invention inay delight awhile , by that
novelty of which the cominon satiety of life sends us all in quest ; but the
pleasures of sudden wonder are soon exhausted , and the mind can only repose
on the ...
الصفحة 9
Shakespeare has united the powers of exciting laughter and sorrow not only in
one mind , but in one composition . Almost all his plays are divided between
serious and ludicrous characters , and , in the successive evolutions of the
design ...
Shakespeare has united the powers of exciting laughter and sorrow not only in
one mind , but in one composition . Almost all his plays are divided between
serious and ludicrous characters , and , in the successive evolutions of the
design ...
الصفحة 12
Through all these denominations of the drama , Shakespeare's mode of
composition is the same ; an interchange of seriousness and merriment , by
which the mind is softened at one time , and exhilarated at another . But whatever
be his ...
Through all these denominations of the drama , Shakespeare's mode of
composition is the same ; an interchange of seriousness and merriment , by
which the mind is softened at one time , and exhilarated at another . But whatever
be his ...
الصفحة 18
He no sooner begins to move , than he counteracts himself ; and terror and pity ,
as they are rising in the mind , are checked and blasted by sudden frigidity . A
quibble lo OLIO IN th du ad À quibble is to Shakespeare , what luminous vapours
...
He no sooner begins to move , than he counteracts himself ; and terror and pity ,
as they are rising in the mind , are checked and blasted by sudden frigidity . A
quibble lo OLIO IN th du ad À quibble is to Shakespeare , what luminous vapours
...
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