Prefaces. The tempest. The two gentlemen of Verona. The merry wives of Windsor.- v.2. Measure for measure. Comedy of errors. Much ado about nothing. Love's labour lost.- v.3. Midsummer night's dream. Merchant of Venice. As you like it. Taming the shrew.- v.4. All's well that ends well. Twelfth night. Winter's tale. Macbeth.- v.5 King John. King Richrd II. King Henry IV, parts I-II.- v.6. King Henry V. King Henry VI, parts I-III.- v.7 King Richard III. King Henry VIII. Coriolanus.- v.8. Julius Cæsar. Anthony and Cleopatra. Timon of Athens. Titus Andronicus.- v. 9. Troilus and Cressida. Cymbeline. King Lear.- v. 10. Romeo and Juliet. Hamlet. Othello |
من داخل الكتاب
النتائج 1-5 من 90
الصفحة 9
Shakespeare's plays are not in the rigorous and critical sense either tragedies or
comedies , but compofitions of a distinct kind ; exhibiting the real state of
sublunary nature , which partakes of good and evil , joy and forrow , mingled with
...
Shakespeare's plays are not in the rigorous and critical sense either tragedies or
comedies , but compofitions of a distinct kind ; exhibiting the real state of
sublunary nature , which partakes of good and evil , joy and forrow , mingled with
...
الصفحة 10
That the mingled drama may convey all the instruction of tragedy or comedy
cannot be denied , because it includes both in its alterations of exhibition , and
approaches nearer than either to the appearance of life , by shewing how great ...
That the mingled drama may convey all the instruction of tragedy or comedy
cannot be denied , because it includes both in its alterations of exhibition , and
approaches nearer than either to the appearance of life , by shewing how great ...
الصفحة 11
The players , who in their edition divided our author's works into comedies ,
histories , and tragedies , seem not to have ... Tragedy was not in those times a
poem of more general dignity or elevation than comedy ; it required only a
calamitous ...
The players , who in their edition divided our author's works into comedies ,
histories , and tragedies , seem not to have ... Tragedy was not in those times a
poem of more general dignity or elevation than comedy ; it required only a
calamitous ...
الصفحة 12
In tragedy he often writes with great appearance of toil and study , what is written
at last with little felicity ; but in his comick scenes , he seems to produce without
labour , 1 1 labour , what no labour can improve . In tragedy 12 P R E FACE .
In tragedy he often writes with great appearance of toil and study , what is written
at last with little felicity ; but in his comick scenes , he seems to produce without
labour , 1 1 labour , what no labour can improve . In tragedy 12 P R E FACE .
الصفحة 13
In tragedy he is always struggling after some occasion to be comick , but in
comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial
to his nature . In his tragick scenes there is always something wanting , but his
comedy ...
In tragedy he is always struggling after some occasion to be comick , but in
comedy he seems to repose , or to luxuriate , as in a mode of thinking congenial
to his nature . In his tragick scenes there is always something wanting , but his
comedy ...
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