The Philosophy of Rhetoric |
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الصفحة
He does not enter into the specific characters whereby wit and humour are
discriminated , which are the chief considerations here . His design leads him to
consider rather those particulars wherein they all agree , than those wherein they
differ ...
He does not enter into the specific characters whereby wit and humour are
discriminated , which are the chief considerations here . His design leads him to
consider rather those particulars wherein they all agree , than those wherein they
differ ...
الصفحة
I. Elegance in the largest acceptation defined , its more general forms exhibited ,
with their different Objects , Ends , and Characters , 15 CHAP . II . Of Wit , Humour
, and Ridicule , SECT . 1. Of Wit , ib . SECT . II . Of Humour , 33 SECT , III .
I. Elegance in the largest acceptation defined , its more general forms exhibited ,
with their different Objects , Ends , and Characters , 15 CHAP . II . Of Wit , Humour
, and Ridicule , SECT . 1. Of Wit , ib . SECT . II . Of Humour , 33 SECT , III .
الصفحة
The third hypothesis , 167 Part IV . The fourth hypothesis , 174 SECT . II , The
Author's hypothesis on this subject , 181 BOOK II . TRE FOUNDATIONS AND
ESSENTIAL PROPERTIES OF ELOCUTION , CHAP . I. The Nature and
Characters of ...
The third hypothesis , 167 Part IV . The fourth hypothesis , 174 SECT . II , The
Author's hypothesis on this subject , 181 BOOK II . TRE FOUNDATIONS AND
ESSENTIAL PROPERTIES OF ELOCUTION , CHAP . I. The Nature and
Characters of ...
الصفحة 3
... of mind is necessary , than is required for the exercise of those called
mechanical . The character directly opposite to the empiric is the visionary ; for it
is not in theology only that there are visionaries . Of the two extremes
INTRODUCTION . 3.
... of mind is necessary , than is required for the exercise of those called
mechanical . The character directly opposite to the empiric is the visionary ; for it
is not in theology only that there are visionaries . Of the two extremes
INTRODUCTION . 3.
الصفحة 4
I mention characters only in the extreme , because in this manner they are best
discriminated . In real life , however , any two of these , sometimes all the three ,
in various proportions , may be found blended in the same person . The arts are ...
I mention characters only in the extreme , because in this manner they are best
discriminated . In real life , however , any two of these , sometimes all the three ,
in various proportions , may be found blended in the same person . The arts are ...
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admit appear application argument attention beauty beginning better called cause character circumstances clause common concerning conjunctions connected consequence considerable considered contrary critics discover distinction doth effect employed English entirely equal evidence example experience expression figure former French frequently give given greater hath hearers ideas illustrate imagination import instance kind knowledge language latter least less manner meaning mentioned mind nature necessary never object observed occasion orator original particular passage passion perhaps person perspicuity phrases preceding preposition present principles produce pronoun proper properly qualities question reason refer regard relation remark render requires resemblance respect rules sense sentence sentiment serve signify signs solely sometimes sort sound speak speaker species style term things third thought tion tongue tropes truth understanding verb vivacity wherein whole words writers