The Philosophy of RhetoricThomas Turnbull, 1819 - 566 من الصفحات |
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الصفحة x
... given by philosophers , ex- amined , 160 161 Part I. The first hypothesis , Part II . The second hypothesis , ib . 163 Part III . The third hypothesis , Part IV . The fourth hypothesis , 167 174 SECT . II , The Author's hypothesis on ...
... given by philosophers , ex- amined , 160 161 Part I. The first hypothesis , Part II . The second hypothesis , ib . 163 Part III . The third hypothesis , Part IV . The fourth hypothesis , 167 174 SECT . II , The Author's hypothesis on ...
الصفحة 9
... given to criticism by actual performances in the art . The principles of our nature will , without the aid of any previous and formal in- struction , sufficiently account for the first attempts . As speakers existed before grammarians ...
... given to criticism by actual performances in the art . The principles of our nature will , without the aid of any previous and formal in- struction , sufficiently account for the first attempts . As speakers existed before grammarians ...
الصفحة 11
... passions . But to treat it also as an useful art , and closely connected with the understanding and the will , would have led to a discussion foreign to his pur- pose . I am aware , that , from the deduction given INTRODUCTION . 11.
... passions . But to treat it also as an useful art , and closely connected with the understanding and the will , would have led to a discussion foreign to his pur- pose . I am aware , that , from the deduction given INTRODUCTION . 11.
الصفحة 12
George Campbell. I am aware , that , from the deduction given above , it may be urged , that the fact as here represented , seems to subvert the principle formerly laid down , and that as practice in the art has given the first scope for ...
George Campbell. I am aware , that , from the deduction given above , it may be urged , that the fact as here represented , seems to subvert the principle formerly laid down , and that as practice in the art has given the first scope for ...
الصفحة 13
... given man so vast a dominion over the elements , and even the most refractory powers of nature . It is evident , therefore , that the artist and the critic are reciprocally subservient , and the particular province of each is greatly ...
... given man so vast a dominion over the elements , and even the most refractory powers of nature . It is evident , therefore , that the artist and the critic are reciprocally subservient , and the particular province of each is greatly ...
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adjective admit adverb affirmed ambiguity antonomasia appear argument beauty catachresis cause cerning Chap circumstances clause common commonly composition conjunctions connected connexive consequence considered contrary critics denominated denote discourse doth Dr Priestley Dunciad effect eloquence employed English equal evidence example expression former French frequently give grammatical hath hearers Hudibras ideas idiom imagination impropriety instance justly kind language Latin lative latter manner meaning ment metaphor metonymy mind nature never noun object obscurity observed occasion orator particular passage passion perhaps periphrasis perly person perspicuity phrases pleonasm poet preceding preposition preterite principles produce pronoun proper properly qualities Quintilian racter reason regard relation remark render resemblance respect sense sensible sentence sentiment serve signified sion solecism sometimes sort sound speak speaker species Spect style syllables synecdoche Tatler tence term things thought tion tongue tropes truth tural verb vivacity wherein words writers