The Philosophy of Rhetoric |
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الصفحة
... this Work has been conducted , and the time it has taken , is , not to enhance its
value with the Public , but to apologize in some measure for that inequality in the
execution and the style , with which , he is afraid , it will be thought chargeable .
... this Work has been conducted , and the time it has taken , is , not to enhance its
value with the Public , but to apologize in some measure for that inequality in the
execution and the style , with which , he is afraid , it will be thought chargeable .
الصفحة
The Author can truely say , that he has endeavoured , as much as he could , in
the most abstruse questions , to avoid obscurity ; and in regard to such of his
remarks as may be thought too minute and particular , if just , they will not , he
hopes ...
The Author can truely say , that he has endeavoured , as much as he could , in
the most abstruse questions , to avoid obscurity ; and in regard to such of his
remarks as may be thought too minute and particular , if just , they will not , he
hopes ...
الصفحة
Part II . Ambiguity , 310 SECT . III . The Unintelligible , 382 Part I. From confusion
of thought , 338 Part II . From affectation of ExceHence , 335 Part III . From want of
Meaning , 338 Under this the various kinds of Nonsense , 1. The Puerile , 340 2 ...
Part II . Ambiguity , 310 SECT . III . The Unintelligible , 382 Part I. From confusion
of thought , 338 Part II . From affectation of ExceHence , 335 Part III . From want of
Meaning , 338 Under this the various kinds of Nonsense , 1. The Puerile , 340 2 ...
الصفحة 2
... and , to a superficial observer , may be thought to supersede the study of any
thing further . But their utility reaches a very little way , compared with that which
results from the knowledge of the foundations of the art , and 2 INTRODUCTION .
... and , to a superficial observer , may be thought to supersede the study of any
thing further . But their utility reaches a very little way , compared with that which
results from the knowledge of the foundations of the art , and 2 INTRODUCTION .
الصفحة 20
cle , and procures the speaker an irresistible power over the thoughts and
purposes of his audience . It is this which hath been so justly celebrated as giving
one man an ascendent over others , superior , even to what despotism itself , can
...
cle , and procures the speaker an irresistible power over the thoughts and
purposes of his audience . It is this which hath been so justly celebrated as giving
one man an ascendent over others , superior , even to what despotism itself , can
...
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admit appear application argument attention beauty beginning better called cause character circumstances clause common concerning conjunctions connected consequence considerable considered contrary critics discover distinction doth effect employed English entirely equal evidence example experience expression figure former French frequently give given greater hath hearers ideas illustrate imagination import instance kind knowledge language latter least less manner meaning mentioned mind nature necessary never object observed occasion orator original particular passage passion perhaps person perspicuity phrases preceding preposition present principles produce pronoun proper properly qualities question reason refer regard relation remark render requires resemblance respect rules sense sentence sentiment serve signify signs solely sometimes sort sound speak speaker species style term things third thought tion tongue tropes truth understanding verb vivacity wherein whole words writers