Handbook to the Antiquities in the British Museum: Being a Description of the Remains of Greek, Assyrian, Egyptian, and Etruscan Art Preserved ThereMurray, 1851 - 472 من الصفحات |
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الصفحة 19
... scene is lost . From what remains , the subject appears to represent a female in a defenceless position , firmly grasped by the left arm of a Centaur , who has forced back a Lapith who had come to her assistance , and is preventing him ...
... scene is lost . From what remains , the subject appears to represent a female in a defenceless position , firmly grasped by the left arm of a Centaur , who has forced back a Lapith who had come to her assistance , and is preventing him ...
الصفحة 26
... who has fallen , and with outstretched arm is imploring mercy . Behind the Greek another naked warrior is following , apparently to aid his comrade . The Twenty - Second represents two different scenes . That. 26 GREEK ANTIQUITIES .
... who has fallen , and with outstretched arm is imploring mercy . Behind the Greek another naked warrior is following , apparently to aid his comrade . The Twenty - Second represents two different scenes . That. 26 GREEK ANTIQUITIES .
الصفحة 29
... scenes . That to the right is a single combat between a Greek and an Amazon . That to the left is a scene ofa Greek dragging away another Amazon , behind whom is a square - shaped object , possibly an altar to which she had fled for ...
... scenes . That to the right is a single combat between a Greek and an Amazon . That to the left is a scene ofa Greek dragging away another Amazon , behind whom is a square - shaped object , possibly an altar to which she had fled for ...
الصفحة 39
... scene Olympus , we must suppose this mythic heaven to be contained within the triangular area of the pediment , and to be bounded by figurative representations of Day on the one hand , and of Night on the other . These two figures were ...
... scene Olympus , we must suppose this mythic heaven to be contained within the triangular area of the pediment , and to be bounded by figurative representations of Day on the one hand , and of Night on the other . These two figures were ...
الصفحة 45
... scene of the action , which was bounded on one side by the Cephisus , on the other by the Ilissus and Calirrhoe . These rivers were figura- tively represented in the composition of this pediment , just as the boundaries of Olympus ...
... scene of the action , which was bounded on one side by the Cephisus , on the other by the Ilissus and Calirrhoe . These rivers were figura- tively represented in the composition of this pediment , just as the boundaries of Olympus ...
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عبارات ومصطلحات مألوفة
altar Amazon ancient Antoninus Pius Apollo appears artists Assyrian Athenian Athens bas-relief bearded bearing belonged body bronze building bull bust called casts celebrated Centaur character chariot coins collection colossal columns combat conjectured containing decorated Deities described Dionysus Divinities drapery Egypt Egyptian Elgin Room executed feet female figure flourish fragment Frieze front Gavin Hamilton Goddess Greek Hadrian's villa hair head helmet Heracles Hieroglyphics holding horses inscribed inscription King Lapith left hand legs lion Lycian Metopes mummy Museum Marbles Museum possesses Obelisk originally ornamented Osiris Palace Parthenon peculiar pediment period Persian PHEIDIAS placed portion Praxiteles preserved probably Rameses Rameses II relief remains repre representation represented resemblance right hand Roman Rome round ruins sarcophagus Satyr sculptures seated shield shoulders side Sir Charles Fellows slab standing statuary statue supposed tablet Temple Theseus tomb vase Victory Villa votive walls warrior wearing workmanship Xanthus Zeus
مقاطع مشهورة
الصفحة 270 - What more noble forms could have ushered the people into the temple of their gods ? What more sublime images could have been borrowed from nature, by men who sought, unaided by the light of revealed religion, to embody their conception of the wisdom, power, and ubiquity of a Supreme Being ? They could find no better type of intellect and knowledge than the head of the man ; of strength, than the body of the lion ; of rapidity of motion, than the wings of the bird. These winged human-headed lions...
الصفحة 403 - They are, under the point of view of religion and philosophy, wholly rotten, and from the sole of the foot to the crown of the head there is no soundness in them.
الصفحة 270 - I used to contemplate for hours these mysterious emblems, and muse over their intent and history. What more noble forms could have ushered the people into the temple of their gods ? What more sublime images could have been borrowed from nature, by men who sought, unaided by the light of revealed religion, to embody their conception of the wisdom, power, and ubiquity of a Supreme Being ? They could find no better type of intellect and knowledge than the head of the man ; of strength, than the body...
الصفحة 372 - And forty days were fulfilled for him ; for so are fulfilled the days of those which are embalmed : and the Egyptians mourned for him threescore and ten days.
الصفحة 7 - Notwithstanding with nature it cometh sometimes to pass as with art. Let Phidias have rude and obstinate stuff to carve, though his art do that it should, his work will lack that beauty which otherwise in fitter matter it might have had.
الصفحة 264 - It stands on a single stem, and has handles very curiously formed of swans' necks and heads gracefully intertwined : it was brought to England in 1825, and presented to the Museum by Lord Western in 1839. An oblong basin of granite, similar to such as were used in the temples to contain the water necessary for the purification of those who sought admittance to the sacrifices.
الصفحة 35 - Porphyrogenitus in the tenth, and Eudocia in the eleventh centuries, respectively speak of it in terms which imply that it was still existing during those periods ; while Fontanus, the historian of the siege of Rhodes, states that a German knight, named Henry Schlegelholt, constructed the citadel at Budrun out of the mausoleum.
الصفحة 156 - Harpagus, in whose honour this monument was erected in the market-place of the twelve gods. No. 142. Tomb of a satrap of Lycia named Paiafa, with a roof in the form of a pointed arch, surmounted by a ridge. On each side of the roof is an armed figure, perhaps Glaucus or Sarpedon, in a chariot of four horses, and along the ridge a combat of warriors on horseback, and a Lycian inscription ; in the Western gable is a small door for introducing the corpse.
الصفحة 118 - ... then, let the divinest of the muses, let Astronomy approach, and take him by the hand ; let her ' Come, but keep her wonted state, With even step and musing gait, And looks commercing with the skies, Her rapt soul sitting in her eyes.
الصفحة 38 - ... pavement, to which there was an ascent of three steps. The total height of the temple above its platform was about sixty-five feet. Within the peristyle at either end, there was an interior range of six columns, of five feet and a half in diameter, standing before the end of the cell, and forming a vestibule to its door. There was an ascent of two steps into these vestibules from the peristyle. The cell, which was...