Communication Criticism: Rhetoric, Social Codes, Cultural StudiesWaveland Press, 2001 - 322 من الصفحات This introduction to criticism teaches students critical skills, whether examining television, fiction, nonfiction, visual arts, or oral and written discourse. Three introductory chapters provide a foundation to explore nine approaches to critical study. The perspectives presented bridge disciplinary boundaries and include: asking questions about how audiences process communication, understanding human symbol systems and social relations as vehicles for comprehending the world, value and narrative analysis, and psychoanalytic and ideological criticism. The discussions of using each approach contain questions critics are most likely to ask, assumptions governing the approach, an exploration of sample analyses that reveal vocabulary most frequently used, and a review of the problems encountered by critics. |
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الصفحة 17
... dominance ( often ) without resort to force . For rhetorical critics , the issue of criticism and its role in perpetuating or challenging the power of dominant institutions found a loud voice in Philip Wander's 1983 essay , " The ...
... dominance ( often ) without resort to force . For rhetorical critics , the issue of criticism and its role in perpetuating or challenging the power of dominant institutions found a loud voice in Philip Wander's 1983 essay , " The ...
الصفحة 264
... dominant political - economic and social institutions of its colonies ( e.g. , those in Asia Minor ) . In this century , we've continued to use the word to emphasize dominance , but dominance that works because the dominated parties ...
... dominant political - economic and social institutions of its colonies ( e.g. , those in Asia Minor ) . In this century , we've continued to use the word to emphasize dominance , but dominance that works because the dominated parties ...
الصفحة 266
... dominant institutions that use it to influence decisively a subjugated people's thoughts and actions , then critics must become instruments of unmasking tearing away discursive masks to liberate those oppressed by the dominant powers of ...
... dominant institutions that use it to influence decisively a subjugated people's thoughts and actions , then critics must become instruments of unmasking tearing away discursive masks to liberate those oppressed by the dominant powers of ...
المحتوى
Communication Criticism Today | 3 |
The CriticalCultural View of Criticism | 16 |
Analyzing Texts | 23 |
حقوق النشر | |
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عبارات ومصطلحات مألوفة
acceptable accurate interpretation action American analysis approach argued argument associated audience authority become behavior beliefs called central chapter character claim codes communication criticism complex constructed context culture defined developed discourse discussed dominant effect examine example experience fact follow force formal criticism groups human ideas identified ideological important individual institutions interested interpretation issues Journal judgment kinds knowledge language literary lives look matter meaning metaphor narrative natural noted objects particular performance person political President principles problem psychoanalytic questions readers reason relations relationships rhetorical role rules says sense significant signs situation social society specific speech standards statements story structure style symbolic talk television tell term theme theory things thought tion traditional truth turn understand United value system visual women writing