Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة 1
... Yvor Winters refers in this sentence produced what he calls elsewhere the native plain style,2 and the 1939 essay from which the sentence is quoted initiated a radical revaluation of English poetry in the sixteenth century. Not all ...
... Yvor Winters refers in this sentence produced what he calls elsewhere the native plain style,2 and the 1939 essay from which the sentence is quoted initiated a radical revaluation of English poetry in the sixteenth century. Not all ...
الصفحة 3
... Yvor Winters. Though he celebrates repeatedly the achievements in the short poem in English, Winters's infrequent discussions of drama offer some challenging criticisms of the form. From early in his career Winters was suspicious of ...
... Yvor Winters. Though he celebrates repeatedly the achievements in the short poem in English, Winters's infrequent discussions of drama offer some challenging criticisms of the form. From early in his career Winters was suspicious of ...
الصفحة 4
... Winters here poses for the modern critic has not been answered satisfactorily. While Winters's account of the ... Yvor Winters and the Antimimetic Prejudice', and Barish does indeed have some valid points to bring against Winters — most ...
... Winters here poses for the modern critic has not been answered satisfactorily. While Winters's account of the ... Yvor Winters and the Antimimetic Prejudice', and Barish does indeed have some valid points to bring against Winters — most ...
الصفحة 38
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الصفحة 44
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المحتوى
1 | |
7 | |
3 Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and the Shakespearean | 77 |
style and the character of Bolingbroke | 106 |
style and the character of Richard | 114 |
8 Tragic doings political order and the closed couplet | 144 |
bombast and wonder | 168 |
style and form | 196 |
Notes | 221 |
Index | 253 |
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عبارات ومصطلحات مألوفة
Achmat action Altick Aristotle attempt blank verse Bolingbroke bombastic caesura Camena character closed couplet Coleridge Coleridge’s critical Cunningham death deflected despite drama dramatist Elizabethan eloquent style emotional effects England English essentially expression F. R. Leavis fear feeling Gaunt Gaunt’s Gaunt’s speech Greville Greville’s heroic couplet high style Howard Baker human imagery images imitation individual influence intention J. V. Cunningham John of Gaunt kind king’s language Leavis libertine London lyric Macbeth means metaphor metaphysical metaphysical poetry moral style murder Mustapha nation native plain style nature one’s passage Petrarchan phrase play poem poet poetic styles poetry present question remarks reprinted rhetoric Richard II Richard the Second Rossa scene sense sermo humilis Shakespeare Sidney Sidney’s soliloquy stanza subjunctive suggests Tamburlaine thee things thou thought tion Titus Andronicus traditional tragedy tragic truth University Press Winters’s wonder word York’s Yvor Winters