Shakespeare's Poetic Styles: Verse into DramaRoutledge, 11/10/2013 - 272 من الصفحات First published in 1980. At their most successful, Shakespeare's styles are strategies to make plain the limits of thought and feeling which define the significance of human actions. John Baxter analyses the way in which these limits are reached, and also provides a strong argument for the idea that the power of Shakespearean drama depends upon the co-operation of poetic style and dramatic form. Three plays are examined in detail in the text: The Tragedy of Mustapha by Fulke Greville and Richard II and Macbeth by Shakespeare. |
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الصفحة
Verse into Drama John Baxter. Routledge Library Editions SHAKESPEARE'S POETIC STYLES SHAKESPEARE Routledge Library Editions – Shakespeare I III IV VI VII. Half Title.
Verse into Drama John Baxter. Routledge Library Editions SHAKESPEARE'S POETIC STYLES SHAKESPEARE Routledge Library Editions – Shakespeare I III IV VI VII. Half Title.
الصفحة
... Dramatic Art A Commentary on Shakespeare's Richard III The Development of Shakespeare's Imagery Shakespeare Shakespeare and the Confines of Art Shakespeare the Dramatist Shakespeare's Drama The Language of Shakespeare's Plays Coleridge ...
... Dramatic Art A Commentary on Shakespeare's Richard III The Development of Shakespeare's Imagery Shakespeare Shakespeare and the Confines of Art Shakespeare the Dramatist Shakespeare's Drama The Language of Shakespeare's Plays Coleridge ...
الصفحة 2
... dramatic poetry? Are the two styles that were perfected in the lyric poetry of the sixteenth century germane to the style and form of late Elizabethan poetic drama, especially poetic tragedy? How does a dramatist make verse into drama ...
... dramatic poetry? Are the two styles that were perfected in the lyric poetry of the sixteenth century germane to the style and form of late Elizabethan poetic drama, especially poetic tragedy? How does a dramatist make verse into drama ...
الصفحة 3
... drama, drama, especially Elizabethan drama, is still essentially a form of literature because of the central place that language holds in the human world. The imitation of human action can hardly avoid a fact so important. For a similar ...
... drama, drama, especially Elizabethan drama, is still essentially a form of literature because of the central place that language holds in the human world. The imitation of human action can hardly avoid a fact so important. For a similar ...
الصفحة 4
... drama, and he shies away from exploring that question very deeply. His essay remains not a sustained engagement but what he calls it himself, a skirmish. Jonas A. Barish does attempt a direct and sustained answer in 'Yvor Winters and ...
... drama, and he shies away from exploring that question very deeply. His essay remains not a sustained engagement but what he calls it himself, a skirmish. Jonas A. Barish does attempt a direct and sustained answer in 'Yvor Winters and ...
المحتوى
1 | |
7 | |
3 Tragedy and history in Richard II | 46 |
the moral and the golden | 56 |
the metaphysical and the Shakespearean | 77 |
style and the character of Bolingbroke | 106 |
style and the character of Richard | 114 |
8 Tragic doings political order and the closed couplet | 144 |
bombast and wonder | 168 |
style and form | 196 |
Notes | 221 |
Index | 253 |
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عبارات ومصطلحات مألوفة
Achmat action Altick Aristotle attempt blank verse Bolingbroke bombastic caesura Camena character closed couplet Coleridge Coleridge’s critical Cunningham death deflected despite drama dramatist Elizabethan eloquent style emotional effects England English essentially expression F. R. Leavis fear feeling Gaunt Gaunt’s Gaunt’s speech Greville Greville’s heroic couplet high style Howard Baker human imagery images imitation individual influence intention J. V. Cunningham John of Gaunt kind king’s language Leavis libertine London lyric Macbeth means metaphor metaphysical metaphysical poetry moral style murder Mustapha nation native plain style nature one’s passage Petrarchan phrase play poem poet poetic styles poetry present question remarks reprinted rhetoric Richard II Richard the Second Rossa scene sense sermo humilis Shakespeare Sidney Sidney’s soliloquy stanza subjunctive suggests Tamburlaine thee things thou thought tion Titus Andronicus traditional tragedy tragic truth University Press Winters’s wonder word York’s Yvor Winters